https://www.racbellingham.org/resource-blog daily 0.75 2025-09-03 https://www.racbellingham.org/resource-blog/proper18c-2025-2393z-w7hkw-s7hc8-m5em4 monthly 0.5 2025-09-03 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Today in the Spirit: Proper 18c https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Today in the Spirit: Proper 18c https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Today in the Spirit: Proper 18c https://www.racbellingham.org/resource-blog/proper17c-2025-2393z-w7hkw-s7hc8 monthly 0.5 2025-08-28 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Today in the Spirit: Proper 17C https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Today in the Spirit: Proper 17C https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Today in the Spirit: Proper 17C https://www.racbellingham.org/resource-blog/proper16c-2025-2393z-w7hkw monthly 0.5 2025-08-28 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Today in the Spirit: Proper 16C https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Today in the Spirit: Proper 16C https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Today in the Spirit: Proper 16C https://www.racbellingham.org/resource-blog/proper15c-2025-2393z monthly 0.5 2025-08-13 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Fire on the Earth https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Fire on the Earth https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Fire on the Earth https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/e7163e95-5186-4182-a080-0a91f231c405/tumblr_inline_ovvnf0pVAr1qkqzlv_500.png Resources - Fire on the Earth In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper14c-mpdg9 monthly 0.5 2025-08-08 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - God’s Good Pleasure https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/70b61df8-125d-4d44-802a-de902afff5e6/ezgif-1-632e2d732c.jpg Resources - God’s Good Pleasure In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - God’s Good Pleasure https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - God’s Good Pleasure https://www.racbellingham.org/resource-blog/proper13c2025-kd68p monthly 0.5 2025-07-30 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - What is to be gained under the sun? https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - What is to be gained under the sun? https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/41ab3057-dca8-4620-bf2b-a068b32912d1/rich_fool_watchful_servants.jpg Resources - What is to be gained under the sun? In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - What is to be gained under the sun? https://www.racbellingham.org/resource-blog/proper12c-2025-mwsr2 monthly 0.5 2025-07-25 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - In Praise of Importunity https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/bff715a9-199d-4693-81a8-0461ed3d50f7/2009CP4388.jpg Resources - In Praise of Importunity In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - In Praise of Importunity https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - In Praise of Importunity https://www.racbellingham.org/resource-blog/proper11c-2025-9b5r3 monthly 0.5 2025-07-16 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Good Portion https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/703d1fde-9dd1-4111-97e8-e7f2ba0ab50c/tumblr_05efb80d523c8248e1596383d2b473b6_bb897c45_500.png Resources - The Good Portion In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Good Portion https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Good Portion https://www.racbellingham.org/resource-blog/proper9c-2025-k24gp-6laek monthly 0.5 2025-07-09 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Very-Near Word of God https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Very-Near Word of God https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/131b8466-53c5-4012-b954-85f34aac360e/tumblr_inline_oaa0p01ich1qkqzlv_500.jpg Resources - The Very-Near Word of God In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Very-Near Word of God https://www.racbellingham.org/resource-blog/proper9c-2025-ge3bz monthly 0.5 2025-07-03 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - To the Lord of the Harvest https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - To the Lord of the Harvest https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - To the Lord of the Harvest https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/60b8093b-95e5-41bd-94ba-dc970acc6c33/psalm67main.jpg Resources - To the Lord of the Harvest In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper8c-2025-r4pld monthly 0.5 2025-06-25 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - On the Journey https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - On the Journey https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - On the Journey https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/661073cf-912f-47aa-a691-c3b26da967de/Stanley-spencer-christ-in-the-wilderness.-the-foxes-have-holes.jpg Resources - On the Journey In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper7c-2025-7a29n monthly 0.5 2025-06-18 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Pleas for Mercy https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Pleas for Mercy https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Pleas for Mercy https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/ee524e36-35eb-40d6-951e-fce673dd1bcc/christ-pierced-crucifixion.png Resources - Pleas for Mercy In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/trinity-2025-gb3pe-8xs9g monthly 0.5 2025-06-13 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622048947894-45GLVHJH807BPUNVM05C/unsplash-image-vZsoojmXaB4.jpg Resources - The Song of the Unending Three https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/6d2e1986-3284-4ce9-b0cb-c24316d28b1c/thamburaj-a.-j._the-holy-trinity.jpg Resources - The Song of the Unending Three In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047614118-0MJ6NRSPW8XKKJVCK0KW/liturgical+color+%284%29.png Resources - The Song of the Unending Three https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Song of the Unending Three https://www.racbellingham.org/resource-blog/pentecost-2025-6w23f monthly 0.5 2025-06-04 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1621390723922-JBEBFKPQ2XTIQM7ISF12/liturgical+color+%281%29.png Resources - Come Down, Love Divine https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1621390296078-KJALDFUTQR8QVX2H76PE/unsplash-image-fB6s23tWkT0.jpg Resources - Come Down, Love Divine https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/0f8802bf-865e-4d5b-ba1a-3a23e0960350/tumblr_inline_p8ye740xwo1qkqzlv_400.png Resources - Come Down, Love Divine In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1621391738133-JOXYI6UHAIWVY1T5YDRP/liturgical+color+%282%29.png Resources - Come Down, Love Divine https://www.racbellingham.org/resource-blog/ascension-b-2025-863wy-fcmc9 monthly 0.5 2025-05-29 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1620928171314-WPLBO8RL4NQEG76XLFNZ/liturgical+color.png Resources - His Present Absence … https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - His Present Absence … https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - His Present Absence … https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1fc19f89-7e2e-468e-a0af-df9c99eaf1a7/ascention-danny-hahlbohm.jpg Resources - His Present Absence … In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/easter-6c-2025-elns9 monthly 0.5 2025-05-21 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/f05f8e3b-4785-4928-8a6d-3b636ab8121b/tree_of_life_san_clemente_lg.jpg Resources - Risen Christ, King of Creation In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - Risen Christ, King of Creation https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - Risen Christ, King of Creation https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - Risen Christ, King of Creation https://www.racbellingham.org/resource-blog/easter-4b-2025-z3wlc-9jdmf-zxfcy monthly 0.5 2025-05-15 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/86a81571-7ced-4a92-ad73-76ee38e975d4/revelation-19-11-16-anthony-falbo.jpg Resources - The Festal Smoke yet Ascends In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - The Festal Smoke yet Ascends https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - The Festal Smoke yet Ascends https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - The Festal Smoke yet Ascends https://www.racbellingham.org/resource-blog/easter-4b-2025-z3wlc-lx4xe monthly 0.5 2025-05-08 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - Good Shepherd, Questionable Sheep https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - Good Shepherd, Questionable Sheep https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/3394afca-1ecb-497a-aac1-5df8ab01aa6a/tumblr_inline_o5retqCEag1qkqzlv_1280.jpg Resources - Good Shepherd, Questionable Sheep In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - Good Shepherd, Questionable Sheep https://www.racbellingham.org/resource-blog/2ndeasterc2025-lxaby monthly 0.5 2025-04-23 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - My Lord and my God! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - My Lord and my God! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - My Lord and my God! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/273056fe-9fcd-41a0-80f7-aae8eacc647c/rauschenberg-robert_untitled.jpg Resources - My Lord and my God! - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/7740849a-a6f4-4e55-b8fc-3dbffd43b6a4/Thomas-and-the-Wound.jpg Resources - My Lord and my God! In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/easter2025-wblt8 monthly 0.5 2025-04-17 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617505844775-OXN4N92OU0KUO1WGAI44/liturgical+color_+%2824%29.png Resources - Let God Arise! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617505844775-OXN4N92OU0KUO1WGAI44/liturgical+color_+%2824%29.png Resources - Let God Arise! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - Let God Arise! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/52ac7a26-7f0d-4f97-9552-78b7776eb383/1024px-Ch%C5%93ur_et_fresque_d%27Arcabas_de_l%27%C3%A9glise_Saint_Paul.jpg Resources - Let God Arise! In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/len-6b-2025-jydfs monthly 0.5 2025-04-10 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/9d6bdc5a-9a03-4564-a18d-406108fa441b/tumblr_inline_nlyhujopIp1qkqzlv_500.jpg Resources - Sunday of Songs, Sunday of Sorrows In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1616853197500-MGJPTAX8RP3Z2X0ZRNXB/liturgical+color_+%2823%29.png Resources - Sunday of Songs, Sunday of Sorrows https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1616852801311-FPRRTC0E6WHASMS4299W/7212816720_e13d8efdbc_b.jpg Resources - Sunday of Songs, Sunday of Sorrows https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1616853172309-5IZ9AFPUXUU670UIHWO4/liturgical+color_+%2823%29.png Resources - Sunday of Songs, Sunday of Sorrows https://www.racbellingham.org/resource-blog/len-5c-2025-mmhtz monthly 0.5 2025-04-02 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/854c2331-8423-45c4-9966-6218df31341c/800px-CodexAureusEpternacensisf76f.jpg Resources - Towards the Passion In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Towards the Passion https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Towards the Passion https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689414200-9M09EJH4H2LY85HFEVEA/image.jpg Resources - Towards the Passion https://www.racbellingham.org/resource-blog/len-4b-2025-d98h7 monthly 0.5 2025-03-26 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/82d118ce-29d2-4623-af55-25dd836e2b20/jesus-illusion-calvary.jpg Resources - The Indefatigable Nearness of God In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689414200-9M09EJH4H2LY85HFEVEA/image.jpg Resources - The Indefatigable Nearness of God https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - The Indefatigable Nearness of God https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - The Indefatigable Nearness of God https://www.racbellingham.org/resource-blog/lent3-2025-leyb4 monthly 0.5 2025-03-19 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Mercy for the Fruitless https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Mercy for the Fruitless https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689414200-9M09EJH4H2LY85HFEVEA/image.jpg Resources - Mercy for the Fruitless https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/903da522-8b31-45ab-a302-2df15171bffd/fig.PNG Resources - Mercy for the Fruitless In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/lent2c-2022-cd7wm monthly 0.5 2025-03-12 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Tears over the City https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/0df08efb-25e1-401f-a199-ad74e2c7a8e1/Film9477_02-1024x997.jpg Resources - Tears over the City In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689414200-9M09EJH4H2LY85HFEVEA/image.jpg Resources - Tears over the City https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Tears over the City https://www.racbellingham.org/resource-blog/lent1c2025 monthly 0.5 2025-03-06 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Into the Wilds https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Into the Wilds https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689414200-9M09EJH4H2LY85HFEVEA/image.jpg Resources - Into the Wilds https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/c9725ce4-2521-401f-9acc-6ab8c10c1305/jesus_tempted.jpg Resources - Into the Wilds In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/epiphany7c-2024-hnkfr-gwbjp-g3m53-c8gdd-lg44h-z3z7m-lrnmm-4esec monthly 0.5 2025-02-21 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610837136855-ATHGXXO8UB3FZ1F3O63H/liturgical+color_+%2820%29.png Resources - The Grace of Revelation https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/c7dbc8a3-b25f-448b-a694-09f46f51e59f/download+%281%29.png Resources - The Grace of Revelation In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833286470-A443Q3P9P18U9VH26AEM/liturgical+color_+%2819%29.png Resources - The Grace of Revelation https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835289613-UMLQCZLZBXE7KUC4NSAP/image.jpg Resources - The Grace of Revelation https://www.racbellingham.org/resource-blog/epiphany6c-2024-hnkfr-gwbjp-g3m53-c8gdd-lg44h-z3z7m-lrnmm monthly 0.5 2025-02-21 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610837136855-ATHGXXO8UB3FZ1F3O63H/liturgical+color_+%2820%29.png Resources - Rooted in Trust, Resigned to Grace https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833286470-A443Q3P9P18U9VH26AEM/liturgical+color_+%2819%29.png Resources - Rooted in Trust, Resigned to Grace https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/80ee66ea-dcad-473c-94af-3f386d151a86/pilgrimage-to-the-cedars-in-lebanon-1907.jpg%21Large.jpg Resources - Rooted in Trust, Resigned to Grace In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835289613-UMLQCZLZBXE7KUC4NSAP/image.jpg Resources - Rooted in Trust, Resigned to Grace https://www.racbellingham.org/resource-blog/epiphany5c-2024-hnkfr-gwbjp-g3m53-c8gdd-lg44h-z3z7m monthly 0.5 2025-02-14 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/e0ad9c80-fa87-4d9e-9410-6223a78551d7/Michelangelo_Merisi_da_Caravaggio_%28Milan_1571-Port%27_Ercole_1610%29_-_The_Calling_of_Saints_Peter_and_Andrew_-_RCIN_402824_-_Hampton_Court_Palace.jpg Resources - The Call of Grace: Seeing and Hearing God’s Invitation In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835289613-UMLQCZLZBXE7KUC4NSAP/image.jpg Resources - The Call of Grace: Seeing and Hearing God’s Invitation https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610837136855-ATHGXXO8UB3FZ1F3O63H/liturgical+color_+%2820%29.png Resources - The Call of Grace: Seeing and Hearing God’s Invitation https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833286470-A443Q3P9P18U9VH26AEM/liturgical+color_+%2819%29.png Resources - The Call of Grace: Seeing and Hearing God’s Invitation https://www.racbellingham.org/resource-blog/epiphany4c-2024-hnkfr-gwbjp-g3m53-c8gdd-lg44h monthly 0.5 2025-02-07 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610837136855-ATHGXXO8UB3FZ1F3O63H/liturgical+color_+%2820%29.png Resources - Love, Light, and the Fulfillment of Promise https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/234872a1-8d84-4e17-9c9b-603087649592/Festival+of+Lights_RESIZE.jpg Resources - Love, Light, and the Fulfillment of Promise In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833286470-A443Q3P9P18U9VH26AEM/liturgical+color_+%2819%29.png Resources - Love, Light, and the Fulfillment of Promise https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835289613-UMLQCZLZBXE7KUC4NSAP/image.jpg Resources - Love, Light, and the Fulfillment of Promise https://www.racbellingham.org/resource-blog/epiphany3c-2024-hnkfr-gwbjp-g3m53-c8gdd monthly 0.5 2025-01-29 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833286470-A443Q3P9P18U9VH26AEM/liturgical+color_+%2819%29.png Resources - The Spirit of the Lord is Upon Us https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835289613-UMLQCZLZBXE7KUC4NSAP/image.jpg Resources - The Spirit of the Lord is Upon Us https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610837136855-ATHGXXO8UB3FZ1F3O63H/liturgical+color_+%2820%29.png Resources - The Spirit of the Lord is Upon Us https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/5e396b17-846d-4b6d-8b64-889087f7d4ca/prophet-isaiah-1968.jpg%21Large.jpg Resources - The Spirit of the Lord is Upon Us In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/epiphany2c-2024-hnkfr-gwbjp-g3m53 monthly 0.5 2025-01-22 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835289613-UMLQCZLZBXE7KUC4NSAP/image.jpg Resources - New Wine https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610837136855-ATHGXXO8UB3FZ1F3O63H/liturgical+color_+%2820%29.png Resources - New Wine https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833286470-A443Q3P9P18U9VH26AEM/liturgical+color_+%2819%29.png Resources - New Wine https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/26960247-b404-4dfa-9c53-8762241a1237/ssllz4yc.png Resources - New Wine In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/epiphany1c-2024-hnkfr-gwbjp monthly 0.5 2025-01-16 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/63395f90-4d69-44b8-a28b-30f1f2a4794e/River-Mosaic.jpg Resources - Behold the Waters In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610837136855-ATHGXXO8UB3FZ1F3O63H/liturgical+color_+%2820%29.png Resources - Behold the Waters https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835289613-UMLQCZLZBXE7KUC4NSAP/image.jpg Resources - Behold the Waters https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833286470-A443Q3P9P18U9VH26AEM/liturgical+color_+%2819%29.png Resources - Behold the Waters https://www.racbellingham.org/resource-blog/xmas-2c-2024-hnkfr monthly 0.5 2025-01-08 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - The Journey of the Magi https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1a0a0862-ecfb-4351-aaa8-1ac0ea467760/00.159.30_PS1.jpg Resources - The Journey of the Magi In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - The Journey of the Magi https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - The Journey of the Magi https://www.racbellingham.org/resource-blog/xmas-1c-2024 monthly 0.5 2025-01-02 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/cc9a7951-b95e-4707-8794-2855e35cf82d/download+%281%29.jpg Resources - Word Made Flesh In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - Word Made Flesh https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - Word Made Flesh https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - Word Made Flesh https://www.racbellingham.org/resource-blog/advent4c-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j-d2k43-kt4mf-r2jjk-skfc3-33ac4-yf6k5-dt94n-ses6d-yfamw-yjaht-x3thj-m97d4-lbepg-9stlk-k84r8-zaxfg-twczx-ppjmb monthly 0.5 2024-12-18 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605934482383-12UJBQPS09V1ZZUUKI9R/liturgical+color_+%284%29.png Resources - Stirring Power and Subtle Grace https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605934482383-12UJBQPS09V1ZZUUKI9R/liturgical+color_+%284%29.png Resources - Stirring Power and Subtle Grace https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Stirring Power and Subtle Grace https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/17c10f54-67a6-4ef2-b9a5-8157fd70bf0a/Giotto_di_Bondone_-_No._6_Scenes_from_the_Life_of_Joachim_-_6._Meeting_at_the_Golden_Gate_-_WGA09176.jpg Resources - Stirring Power and Subtle Grace In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/advent2c-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j-d2k43-kt4mf-r2jjk-skfc3-33ac4-yf6k5-dt94n-ses6d-yfamw-yjaht-x3thj-m97d4-lbepg-9stlk-k84r8-zaxfg-twczx monthly 0.5 2024-12-18 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/d26aca73-5eef-42fb-a503-6cf659fb9f5d/Screenshot+2024-12-10+125847.png Resources - Rejoice in the Lord Always In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605934482383-12UJBQPS09V1ZZUUKI9R/liturgical+color_+%284%29.png Resources - Rejoice in the Lord Always https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605934482383-12UJBQPS09V1ZZUUKI9R/liturgical+color_+%284%29.png Resources - Rejoice in the Lord Always https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Rejoice in the Lord Always https://www.racbellingham.org/resource-blog/advent2c-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j-d2k43-kt4mf-r2jjk-skfc3-33ac4-yf6k5-dt94n-ses6d-yfamw-yjaht-x3thj-m97d4-lbepg-9stlk-k84r8-zaxfg monthly 0.5 2024-12-11 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605934482383-12UJBQPS09V1ZZUUKI9R/liturgical+color_+%284%29.png Resources - A Voice in the Wilderness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/06352fde-33ea-4e83-8f23-a8e73a4959af/st-john-the-baptist.jpg Resources - A Voice in the Wilderness In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - A Voice in the Wilderness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605934482383-12UJBQPS09V1ZZUUKI9R/liturgical+color_+%284%29.png Resources - A Voice in the Wilderness https://www.racbellingham.org/resource-blog/advent1c-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j-d2k43-kt4mf-r2jjk-skfc3-33ac4-yf6k5-dt94n-ses6d-yfamw-yjaht-x3thj-m97d4-lbepg-9stlk-k84r8 monthly 0.5 2024-12-04 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Light Dawns in Darkness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/c58419a4-4e8a-479b-889a-abde915e4236/ma-317718-WEB.jpg Resources - Light Dawns in Darkness In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Light Dawns in Darkness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Light Dawns in Darkness https://www.racbellingham.org/resource-blog/proper29b-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j-d2k43-kt4mf-r2jjk-skfc3-33ac4-yf6k5-dt94n-ses6d-yfamw-yjaht-x3thj-m97d4-lbepg-9stlk monthly 0.5 2024-11-27 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/62b5d9c3-14dd-49d2-909c-f0dc88bd1bdb/17089435580_8d8eeb0a9d_o.jpg Resources - The King and His Kingdom In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The King and His Kingdom https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The King and His Kingdom https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The King and His Kingdom https://www.racbellingham.org/resource-blog/proper28b-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j-d2k43-kt4mf-r2jjk-skfc3-33ac4-yf6k5-dt94n-ses6d-yfamw-yjaht-x3thj-m97d4-lbepg monthly 0.5 2024-11-20 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The End and the Beginning https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The End and the Beginning https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The End and the Beginning https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/0f77a545-4be4-4a4f-abc1-cba682cb8e1e/Screenshot+2024-11-13+111059.jpg Resources - The End and the Beginning In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper27b-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j-d2k43-kt4mf-r2jjk-skfc3-33ac4-yf6k5-dt94n-ses6d-yfamw-yjaht-x3thj-m97d4 monthly 0.5 2024-11-13 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Abundance in the Face of Want https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Abundance in the Face of Want https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/079ebcb5-fcb2-47d8-b0eb-b254db0b4a10/The-Prophet-Elijah-and-the-Widow-of-Zarephath-c.-1630-Cornelis-van-Poelenburch-oil-painting.jpg Resources - Abundance in the Face of Want In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Abundance in the Face of Want https://www.racbellingham.org/resource-blog/proper25b-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j-d2k43-kt4mf-r2jjk-skfc3-33ac4-yf6k5-dt94n-ses6d-yfamw-yjaht-x3thj monthly 0.5 2024-11-06 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Last Word on the Law https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Last Word on the Law https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/9f9a7da4-bf36-4821-a1a1-4923cf3fa88a/Monica_Monica_2024-10-28_04_10_32.png Resources - The Last Word on the Law In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Last Word on the Law https://www.racbellingham.org/resource-blog/proper25b-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j-d2k43-kt4mf-r2jjk-skfc3-33ac4-yf6k5-dt94n-ses6d-yfamw-yjaht monthly 0.5 2024-10-30 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Seeking Through the Darkness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Seeking Through the Darkness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/3e8167fe-4db4-42a0-b470-e1fa58ff4e28/80eea1cd5586b9e60b5b49c7c8ab51a7.jpg Resources - Seeking Through the Darkness In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Seeking Through the Darkness https://www.racbellingham.org/resource-blog/proper24b-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j-d2k43-kt4mf-r2jjk-skfc3-33ac4-yf6k5-dt94n-ses6d-yfamw monthly 0.5 2024-10-23 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/42c789c9-c76b-4954-a7c3-bea5ab7ea888/1200px-Tintoretto_Christ_washing_feet_Ontario.jpg Resources - Suffering, Refuge, Sacrifice In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Suffering, Refuge, Sacrifice https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Suffering, Refuge, Sacrifice https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Suffering, Refuge, Sacrifice https://www.racbellingham.org/resource-blog/proper23b-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j-d2k43-kt4mf-r2jjk-skfc3-33ac4-yf6k5-dt94n-ses6d monthly 0.5 2024-10-16 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Wealth and Wisdom, Beauty and Darkness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/399126da-a944-4594-b4c5-ca5a69a92cbf/461609371_1081512736667650_2867725671185825251_n.jpg Resources - Wealth and Wisdom, Beauty and Darkness In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Wealth and Wisdom, Beauty and Darkness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Wealth and Wisdom, Beauty and Darkness https://www.racbellingham.org/resource-blog/proper22b-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j-d2k43-kt4mf-r2jjk-skfc3-33ac4-yf6k5-dt94n monthly 0.5 2024-10-08 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Universal Humanity https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Universal Humanity https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Universal Humanity https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/b21dcc4e-b501-4fc1-bf31-f865a2434586/56religi.jpg Resources - Universal Humanity In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper21b-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j-d2k43-kt4mf-r2jjk-skfc3-33ac4-yf6k5 monthly 0.5 2024-10-01 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/5f68a6dc-3f7b-48bd-8f12-79f7c76a04d8/1380400454722.jpg Resources - Who is like unto the LORD? In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Who is like unto the LORD? https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Who is like unto the LORD? https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Who is like unto the LORD? https://www.racbellingham.org/resource-blog/proper20b-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j-d2k43-kt4mf-r2jjk-skfc3-33ac4 monthly 0.5 2024-09-27 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/7db7cca3-0b7e-4303-9cc5-fa950b8ca326/14-Figure12-1.png Resources - Wisdom from Above In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Wisdom from Above https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Wisdom from Above https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Wisdom from Above https://www.racbellingham.org/resource-blog/proper19b-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j-d2k43-kt4mf-r2jjk-skfc3 monthly 0.5 2024-09-17 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - At the Foot of the Mountain https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - At the Foot of the Mountain https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/453f5d35-1d40-45ef-a81d-50005cad9b96/Transfiguration_Raphael.jpg Resources - At the Foot of the Mountain In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - At the Foot of the Mountain https://www.racbellingham.org/resource-blog/proper18b-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j-d2k43-kt4mf-r2jjk monthly 0.5 2024-09-09 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - From Silence to Song https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - From Silence to Song https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - From Silence to Song https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/abfbb217-88cd-4068-afdf-f977c26784ea/Bartholomeus_Breenbergh_003+%281%29.jpg Resources - From Silence to Song In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper17b-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j-d2k43-kt4mf monthly 0.5 2024-09-06 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/ed8a26fa-799a-41c4-900b-93111350bc30/Duerer_-_Ritter%2C_Tod_und_Teufel_%28Der_Reuther%29.jpg Resources - The Armor of God In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Armor of God https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Armor of God https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Armor of God https://www.racbellingham.org/resource-blog/proper16b-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j-d2k43 monthly 0.5 2024-08-28 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Party that Endures https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Party that Endures https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/b7f20b5c-f8f2-4fa4-a7ca-a3cb08dad1e6/1419490553-287_Jesuits-at-Akbar-s-court.jpg Resources - The Party that Endures In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Party that Endures https://www.racbellingham.org/resource-blog/proper14b-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e-ebf8j monthly 0.5 2024-08-22 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Wisdom’s Feast https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Wisdom’s Feast https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/a77d6415-2b18-466b-8b4c-c37abac180aa/sofnovgorodsk.jpg Resources - Wisdom’s Feast In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Wisdom’s Feast https://www.racbellingham.org/resource-blog/proper14b-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc-cx63e monthly 0.5 2024-08-14 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Living Bread, Broken https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1fbb3b9c-66e0-49b2-addb-72406731bc47/bread-of-life-john-6.jpg Resources - Living Bread, Broken In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Living Bread, Broken https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Living Bread, Broken https://www.racbellingham.org/resource-blog/proper13b-2024-6d3sd-6x4ag-memzc-h687k-zmdyc-wfeyc monthly 0.5 2024-08-07 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - A Feast of Grace https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/9cc1d7c8-8322-454d-bbbf-2cacfa486b5f/christ-in-the-house-of-mary-and-martha.jpg%21Large.jpg Resources - A Feast of Grace In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - A Feast of Grace https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - A Feast of Grace https://www.racbellingham.org/resource-blog/proper12b-2024-6d3sd-6x4ag-memzc-h687k-zmdyc monthly 0.5 2024-07-29 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Boundless Grace for Turbulent Times https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Boundless Grace for Turbulent Times https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Boundless Grace for Turbulent Times https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/0f83aaed-1920-4bcb-8ae8-f663ee515852/750169_poster.jpg Resources - Boundless Grace for Turbulent Times In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper11b-2024-6d3sd-6x4ag-memzc-h687k monthly 0.5 2024-07-23 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Abundant Provision, Abundant Reconciliation https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/f52c7e9d-06f2-4ea2-bd56-0ff80c1c1cc7/brigid-main-panel-john-glynn.jpeg Resources - Abundant Provision, Abundant Reconciliation In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Abundant Provision, Abundant Reconciliation https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Abundant Provision, Abundant Reconciliation https://www.racbellingham.org/resource-blog/proper10b-2024-6d3sd-6x4ag-memzc monthly 0.5 2024-07-18 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Beloved and Sent https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Beloved and Sent https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1e2ec32b-84c6-4972-9480-d0051f85e7d7/resurrection-of-christ+%281%29.jpg Resources - Beloved and Sent In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Beloved and Sent https://www.racbellingham.org/resource-blog/proper9b-2024-6d3sd-6x4ag monthly 0.5 2024-07-11 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Called, Empowered … Rejected https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Called, Empowered … Rejected https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/0dbc1ab0-6be3-4687-a513-7a2b6ab06249/the-prophet-ezekiel-1510.jpg%21Large.jpg Resources - Called, Empowered … Rejected In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Called, Empowered … Rejected https://www.racbellingham.org/resource-blog/proper8b-2024-6d3sd monthly 0.5 2024-07-02 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/abcb8cbc-559a-471b-8fa3-1b4f04114262/fad7592ec27e81a5563b765f2a7568cf.jpg Resources - Generous Hearts, Healing Hands In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Generous Hearts, Healing Hands https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Generous Hearts, Healing Hands https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Generous Hearts, Healing Hands https://www.racbellingham.org/resource-blog/proper7b-2024 monthly 0.5 2024-06-25 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Over the Winds and the Seas https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/e8c41fb5-b748-40b4-98e9-bbb5f38af726/7b2024_picture.jpg Resources - Over the Winds and the Seas In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Over the Winds and the Seas https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Over the Winds and the Seas https://www.racbellingham.org/resource-blog/proper6b-2024 monthly 0.5 2024-06-17 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/6bfe3185-3041-4b85-aa56-d1ebf3158015/tree-of-life.jpg Resources - Deep Roots, Broad Branches In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Deep Roots, Broad Branches https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Deep Roots, Broad Branches https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Deep Roots, Broad Branches https://www.racbellingham.org/resource-blog/proper5b-2024 monthly 0.5 2024-06-13 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/97f72035-5085-479c-9acb-6ec121d4093e/The_Wounded_Angel_-_Hugo_Simberg.jpg Resources - A House Divided In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - A House Divided https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - A House Divided https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - A House Divided https://www.racbellingham.org/resource-blog/proper4a-2024 monthly 0.5 2024-06-03 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Lord of the Sabbath https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Lord of the Sabbath https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Lord of the Sabbath https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/a2f1b7ce-2631-49d1-8779-daa0466937d3/800px-KorenGodReposing.jpg Resources - Lord of the Sabbath In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/trinity-2024 monthly 0.5 2024-05-27 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/ecf112ba-0cee-430c-a199-ea453b6ecd87/Ascending_and_Descending.jpg Resources - How (not) to think about the Trinity In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622048947894-45GLVHJH807BPUNVM05C/unsplash-image-vZsoojmXaB4.jpg Resources - How (not) to think about the Trinity https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - How (not) to think about the Trinity https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047614118-0MJ6NRSPW8XKKJVCK0KW/liturgical+color+%284%29.png Resources - How (not) to think about the Trinity https://www.racbellingham.org/resource-blog/pentecost-2024 monthly 0.5 2024-05-14 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1621391738133-JOXYI6UHAIWVY1T5YDRP/liturgical+color+%282%29.png Resources - Living Fire https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/8346368f-655d-44b1-9bc9-ba34c4d61a24/GlBiBwTBidYkPKmX.jpg Resources - Living Fire In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1621390723922-JBEBFKPQ2XTIQM7ISF12/liturgical+color+%281%29.png Resources - Living Fire https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1621390296078-KJALDFUTQR8QVX2H76PE/unsplash-image-fB6s23tWkT0.jpg Resources - Living Fire https://www.racbellingham.org/resource-blog/7th-easter-2024 monthly 0.5 2024-05-05 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/87bf6469-52d2-4fa1-8caa-2ffbd41c79ef/Monica_Monica_2024-05-05_14_39_32.png Resources - A New Kind of Waiting In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - A New Kind of Waiting https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - A New Kind of Waiting https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - A New Kind of Waiting https://www.racbellingham.org/resource-blog/6theasterb2024 monthly 0.5 2024-05-05 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - Plenty Good Room https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - Plenty Good Room https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - Plenty Good Room https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/fb812525-165d-4fb9-a83f-c42afb93096d/222931757_3028699170786585_1451683389406468130_n.jpg Resources - Plenty Good Room In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/5theasterb2024 monthly 0.5 2024-04-29 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - His Presence at Gloaming https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - His Presence at Gloaming https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - His Presence at Gloaming https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/6460d312-392c-4c82-942a-a4e5eaa7ae00/R.jpg Resources - His Presence at Gloaming In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/4theasterb2024 monthly 0.5 2024-04-21 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - The Great Shepherd of the Flock https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - The Great Shepherd of the Flock https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/b7dcb30b-c39a-4b21-8549-6d5b9dd3d505/27.jpg Resources - The Great Shepherd of the Flock In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - The Great Shepherd of the Flock https://www.racbellingham.org/resource-blog/3rdeasterb2024 monthly 0.5 2024-04-16 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - The Measure of his Wounds https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - The Measure of his Wounds https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/627cc2a1-e962-4390-b779-c0dd63163a2c/the_measure_of_the_side_wound_and_the_body_of_christ_1943.3.831.jpg Resources - The Measure of his Wounds In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - The Measure of his Wounds https://www.racbellingham.org/resource-blog/2ndeasterb2024 monthly 0.5 2024-04-08 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - Embodied Doubt, Embodied Faith https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - Embodied Doubt, Embodied Faith https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - Embodied Doubt, Embodied Faith https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1711950412185-CG48F1QDVWIPPUT9BUXU/ong+lap.png Resources - Embodied Doubt, Embodied Faith In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/lent-6b-2024 monthly 0.5 2024-03-19 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/9e3b57a3-0c3c-48e5-a18e-98bc61166e45/0d1cb8c89fdce5480b18c9a410afb80a_w600.jpg Resources - A Grand Entrance In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1616852801311-FPRRTC0E6WHASMS4299W/7212816720_e13d8efdbc_b.jpg Resources - A Grand Entrance https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1616853197500-MGJPTAX8RP3Z2X0ZRNXB/liturgical+color_+%2823%29.png Resources - A Grand Entrance https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1616853172309-5IZ9AFPUXUU670UIHWO4/liturgical+color_+%2823%29.png Resources - A Grand Entrance https://www.racbellingham.org/resource-blog/lent5-2024 monthly 0.5 2024-03-13 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Passion Sunday https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/7752bd13-70dc-4334-b239-0d9fb5b5721f/tumblr_f953e7decd27e4713ef19e97feec367c_7d8524c1_1280.jpg Resources - Passion Sunday In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Passion Sunday https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/df7680a0-0409-46de-83eb-fdd63a603a0d/unsplash-image-Ikq7yAlvfGs.jpg Resources - Passion Sunday https://www.racbellingham.org/resource-blog/lent4b-2024 monthly 0.5 2024-03-04 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - The Wilderness and the Feast https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - The Wilderness and the Feast https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1938c74e-5dca-4446-99f9-9e65f834e178/800px-Georges_de_La_Tour_044.jpg Resources - The Wilderness and the Feast In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/73b25490-8bac-49ed-a233-e68d7843a233/unsplash-image-ZCDt0z4XOiM.jpg Resources - The Wilderness and the Feast https://www.racbellingham.org/resource-blog/lent3b-2024 monthly 0.5 2024-03-04 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/df7680a0-0409-46de-83eb-fdd63a603a0d/unsplash-image-Ikq7yAlvfGs.jpg Resources - Destroy this Temple https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Destroy this Temple https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/6cda6f9e-14c4-4922-b746-1ab60da26006/tumblr_3430aa473da3e01ad44bbf310ab4158d_9fb07a1f_500.png Resources - Destroy this Temple In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Destroy this Temple https://www.racbellingham.org/resource-blog/lent2b-2024 monthly 0.5 2024-02-27 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - The Agony of Faith https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/df7680a0-0409-46de-83eb-fdd63a603a0d/unsplash-image-Ikq7yAlvfGs.jpg Resources - The Agony of Faith https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/d51de493-d586-42d6-a711-362871fe3215/1bb1009632baa67604febdd5e741eacf--michelangelo-caravaggio-religion.jpg Resources - The Agony of Faith In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - The Agony of Faith https://www.racbellingham.org/resource-blog/lent1-2024 monthly 0.5 2024-02-14 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Driven to the Wilderness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/d19147e1-e0b7-4d1f-9d1f-5ddf7c26bc40/Bregeda-Temptation-in-the-Desert-wb.jpg Resources - Driven to the Wilderness In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Driven to the Wilderness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/df7680a0-0409-46de-83eb-fdd63a603a0d/unsplash-image-Ikq7yAlvfGs.jpg Resources - Driven to the Wilderness https://www.racbellingham.org/resource-blog/last-epiphany-2024 monthly 0.5 2024-02-12 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/d48d907c-39e4-4f15-b550-cbdbab67711f/NICtrans.jpg Resources - A Luminous Darkness - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/cdca04f6-fcd3-4060-9150-ede57c10e43b/tumblr_inline_o25qn39xOc1qkqzlv_500.jpg Resources - A Luminous Darkness In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610230872738-D8FBBCRR5N5RZ9AJGUA9/liturgical+color_+%2817%29.png Resources - A Luminous Darkness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - A Luminous Darkness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - A Luminous Darkness https://www.racbellingham.org/resource-blog/epiphany-5b-2024 monthly 0.5 2024-01-29 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/12fd9a11-faf7-4aaa-8ec2-d2641b331f83/db50d5654965962b986c993967e387f2.jpg Resources - Stretched out towards All In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - Stretched out towards All https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - Stretched out towards All https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - Stretched out towards All https://www.racbellingham.org/resource-blog/epiphany-4b-2024 monthly 0.5 2024-01-29 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/aec8a3ee-2cac-4de8-8064-c122dd9018b5/e79b6131e83c6b5aeea193a5fdca5471.jpg Resources - Inbreaking Authority - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/814a300d-53f3-43e6-b48d-85e7b4d791c5/Henry_Ossawa_Tanner-Jesus_and_nicodemus.jpg Resources - Inbreaking Authority In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/c3a1489c-cc99-4cb1-8e41-fc3ee48a67c8/Henry_Ossawa_Tanner%2C_American_%28active_France%29_-_The_Annunciation_-_Google_Art_Project.jpg Resources - Inbreaking Authority - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - Inbreaking Authority https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - Inbreaking Authority https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - Inbreaking Authority https://www.racbellingham.org/resource-blog/epiphany-3b-2024 monthly 0.5 2024-01-22 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - Soul Fishing https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/589bdff2-f403-496d-9701-b1a8e71d2e48/1280px-De_zielenvisserij_-_Fishing_for_souls_%28Adriaen_Pietersz._van_de_Venne%29.jpg Resources - Soul Fishing In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - Soul Fishing https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - Soul Fishing https://www.racbellingham.org/resource-blog/epiphany-2b-2024 monthly 0.5 2024-01-11 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - Tender Calling https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/8509c754-75ee-4ca1-9884-e501f19d52fa/Blake_God_Blessing.jpg Resources - Tender Calling In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - Tender Calling https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - Tender Calling https://www.racbellingham.org/resource-blog/epiphany-2024 monthly 0.5 2024-01-11 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - Revealed to the Nations https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - Revealed to the Nations https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - Revealed to the Nations https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/34ed5dcf-aacf-493f-8110-8275430c2218/tabata-hiroshi_morning-star.jpg Resources - Revealed to the Nations In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/xmas-2a-2022-2jlkp monthly 0.5 2024-12-26 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/cca2804b-70e6-4060-adb2-7d196fb6baaf/tumblr_5244a11d5b5d3c3b3ac9db26bfc2e94f_09ed7196_500.png Resources - Born among Dragons In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - Born among Dragons https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - Born among Dragons https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - Born among Dragons https://www.racbellingham.org/resource-blog/advent-4b-2023 monthly 0.5 2023-12-19 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/05af2333-2f19-4d82-be96-8596b1cd34f9/the-virgin-of-the-rocks-1508-leonardo-da-vinci.jpg Resources - The Rock Split Open In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1608346762217-BP1EABYV6GJZWLKN8KYY/liturgical+color_+%286%29.png Resources - The Rock Split Open https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607053061766-W6RY1OHDUL0OQK93QAVH/image.jpg Resources - The Rock Split Open https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1608346738852-IZV3FVHV4QASNF98HLJB/liturgical+color_+%2812%29.png Resources - The Rock Split Open https://www.racbellingham.org/resource-blog/advent-3b-2023 monthly 0.5 2023-12-15 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/f727d7c5-dc31-4da3-a1b2-532d470fd8bd/Pieter_Brueghel_-_Sermon_of_Saint_John_the_Baptist_-_MNK_XII-A-619_-_National_Museum_Krak%C3%B3w.jpg Resources - What did you go out to see? In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607056710271-SLB60KO89MVPDCRIPAJV/liturgical+color_+%289%29.png Resources - What did you go out to see? https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607056876915-P677I1X248JGRXO4PZ3P/image.jpg Resources - What did you go out to see? https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607056710271-SLB60KO89MVPDCRIPAJV/liturgical+color_+%289%29.png Resources - What did you go out to see? https://www.racbellingham.org/resource-blog/advent-2b-2023 monthly 0.5 2023-12-05 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607053061766-W6RY1OHDUL0OQK93QAVH/image.jpg Resources - Lo, he comes … https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607050242430-CEO76OK9EEBZ1KCPMYFG/liturgical+color_+%286%29.png Resources - Lo, he comes … https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607050242430-CEO76OK9EEBZ1KCPMYFG/liturgical+color_+%286%29.png Resources - Lo, he comes … https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/2ac62add-feb5-488e-9f7c-0eb911968e23/the_second_coming.jpeg Resources - Lo, he comes … In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/advent-1b-2023 monthly 0.5 2023-12-05 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/f3db9b98-e7e4-411c-824d-69355f54b5a0/cazzulini-marco_choral-cathedral.jpg Resources - An Entrance Hymn Advent is a season of entry. We are descending into darkness, as we deepen towards winter, and the light dims. At the same time, we are yearning towards the coming of the light, the culmination of all of God's good and beautiful promises. Marco Cazzulini captures this dynamic in his digital artwork, "Choral Cathedral" (2017). Cazzulini is channeling the energy of Psalm 24:7 -- "Lift up your head, O gates, and be lifted up, you everlasting doors, and the King of Glory shall come in!" Fascinating in Cazzulini's depiction is that we see the light only in the gates and the doors. The entry is dark and empty. It awaits the coming of the King of Glory, whose presence is felt in the infinite gloaming warmth of the golden frame. Cazzulini comments on his image thus: This triumphal and celebratory cry ‘Lift up your heads, O you gates’ seems to herald the entry of Christ into the vaunted place of His dominion. That which is closed, opens, and that which is worn, patinated by age, is commanded to lift up its head and acknowledge the arrival of the King of Glory. He who stands, and waits, at the doors of our own closed hearts, worn out by bad experience, shut through unbelief, locked by fear, ruined by sin, is the same King of Glory. He comes, knocks, but never forces entry, and on His ‘coming in’ we are lifted up by His own virtuous majesty. His entry transforms and illumines. Jesus comes in divine eminence and meek humanity. He wears His crown with humility and His presence welcomed is like opening a door to a fresh scented breeze. Great lofty cathedral interiors soaring into the void inform this artwork. Caught in the half light, their ceilings dissolve into a penumbral space as if no roof or limit existed. Their naves running into infinity, their transepts stretching into the unknown. Bearing equal creative weight is the image of a path running through a grove of tall trees with light filtering through the canopy, camouflaging shapes and creating deep shadows. Advent is thus a season of luminous darkness. Our waiting, our anticipation is full of the brightness of promise and hope. It is also dark, empty, and cold, recognizing the absence of what is longed for and sought after. Let us therefore make space, for this paradoxical spaciousness. Let us lift up our heads, and look east. O that you would tear open the heavens and come down... — The Holy Prophet Isaiah (Isaiah 64:1) https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605934482383-12UJBQPS09V1ZZUUKI9R/liturgical+color_+%284%29.png Resources - An Entrance Hymn https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605934482383-12UJBQPS09V1ZZUUKI9R/liturgical+color_+%284%29.png Resources - An Entrance Hymn https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605942082112-1SIIHXWI5VY2VUPLHOGQ/967a54cf28756f2b934135202ad93536.jpg Resources - An Entrance Hymn https://www.racbellingham.org/resource-blog/ctk-2023 monthly 0.5 2023-11-29 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/cde52c5f-4b55-4bd6-b7a7-0a0cf23a169f/Retable_de_l%27Agneau_mystique_%287%29.jpg Resources - The Lamb Enthroned In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Lamb Enthroned https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Lamb Enthroned https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Lamb Enthroned https://www.racbellingham.org/resource-blog/proper28a-2023 monthly 0.5 2023-11-21 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - That Great and Terrible Day https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - That Great and Terrible Day https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/373dc304-7828-4886-98f5-db3e3f75dc73/Marin+Tripych.png Resources - That Great and Terrible Day In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - That Great and Terrible Day https://www.racbellingham.org/resource-blog/proper27a-2023 monthly 0.5 2023-11-13 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Descending from the Luminous Darkness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Descending from the Luminous Darkness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/3b607a09-5b91-46af-8b0c-c9548accab2b/N00550_9.jpg Resources - Descending from the Luminous Darkness In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Descending from the Luminous Darkness https://www.racbellingham.org/resource-blog/proper26a-2023 monthly 0.5 2023-11-06 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/4b9b4304-1cf0-4bb8-bebe-3691c1015f75/default.jpg Resources - In our Time, in our Midst In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - In our Time, in our Midst https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - In our Time, in our Midst https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - In our Time, in our Midst https://www.racbellingham.org/resource-blog/proper25a-2023 monthly 0.5 2023-10-31 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Love Strong as Death https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/64f12a17-ddc6-4c17-93d5-4ed6829ba90b/1500px-Bernt_Notke_Danse_Macabre.jpg Resources - Love Strong as Death In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Love Strong as Death https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Love Strong as Death https://www.racbellingham.org/resource-blog/proper24a-2023 monthly 0.5 2023-10-25 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Rendered in Darkness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/162054d0-e43d-4100-ba4f-c4408e9fadbe/the-tribute-money-1635.jpg%21Large.jpg Resources - Rendered in Darkness In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Rendered in Darkness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Rendered in Darkness https://www.racbellingham.org/resource-blog/proper23a-2023 monthly 0.5 2023-10-17 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Towards the Wedding Feast https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/f54a8a50-22d0-4618-81f1-c9698afbe082/DT1459.jpg Resources - Towards the Wedding Feast In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Towards the Wedding Feast https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Towards the Wedding Feast https://www.racbellingham.org/resource-blog/proper22a-2023 monthly 0.5 2023-10-11 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Unbarrening the Vineyard https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Unbarrening the Vineyard https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Unbarrening the Vineyard https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/254524bc-165d-40bd-848e-5f76775dfe1d/800px-Vincent_van_Gogh_-_The_Parsonage_Garden_at_Nuenen_in_Winter_-_Google_Art_Project.jpg Resources - Unbarrening the Vineyard In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper21a-2023 monthly 0.5 2023-10-02 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/464b9f82-e7ae-431c-bc3e-c2e932a431c0/jesus-preaching--jamini-roy.jpg Resources - Retuning our Hearts In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Retuning our Hearts https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Retuning our Hearts https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Retuning our Hearts https://www.racbellingham.org/resource-blog/proper20a-2023 monthly 0.5 2023-09-25 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Gracious Vineyard https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Gracious Vineyard https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Gracious Vineyard https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/76804d39-88ee-446a-a694-f698c2d30fb0/parable.jpg Resources - The Gracious Vineyard In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper19a-2023 monthly 0.5 2023-09-19 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Walking in Unrelenting Love https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Walking in Unrelenting Love https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Walking in Unrelenting Love https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/b5e4d49e-89c6-46fa-8e0d-fdeb448905e6/Domenico_Fetti_001.jpg Resources - Walking in Unrelenting Love In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper18a-2023 monthly 0.5 2023-09-12 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Reconciliation Embodied https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/337d4070-f277-49fe-90ba-6d4c045318fa/600px-Reconciliation_by_Vasconcellos%2C_Coventry+%281%29.jpg Resources - Reconciliation Embodied In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Reconciliation Embodied https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Reconciliation Embodied https://www.racbellingham.org/resource-blog/proper17a-2023 monthly 0.5 2023-09-04 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Reverence and Resilience https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Reverence and Resilience https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Reverence and Resilience https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/eb2f632a-50ad-40cb-b9f8-822420d990de/Jheronimus_Bosch_or_follower_001.jpg Resources - Reverence and Resilience In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper16a-2023 monthly 0.5 2023-08-30 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Rock of Faith https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Rock of Faith https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Rock of Faith https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1692736470779-F2MYFZ0BJ8JXQCY81501/DSC01002.jpeg Resources - The Rock of Faith In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper15a-2023 monthly 0.5 2023-08-22 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - A Feast for the Outcasts https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/43ea1c91-1b29-460d-b067-2462f2086ac6/2018_CKS_15496_0007_000%28pieter_brueghel_the_younger_the_netherlandish_proverbs%29.jpg Resources - A Feast for the Outcasts In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - A Feast for the Outcasts https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - A Feast for the Outcasts https://www.racbellingham.org/resource-blog/proper14a-2023 monthly 0.5 2023-08-14 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Among the Billows https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Among the Billows https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Among the Billows https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/a6e081f1-baf3-4380-ae07-db4028a689d8/Huguenot_lovers_on_St._Bartholomew%27s_Day.jpg Resources - Among the Billows In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper13a-transfig-2023 monthly 0.5 2023-07-31 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Transfiguring Light https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Transfiguring Light https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Transfiguring Light https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/93450d0b-35ce-46ef-9ac4-0e96ebe0ada7/transfiguration-of-christ-1487-giovanni-bellini-karon-melillo-devega.jpg Resources - Transfiguring Light In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper12a-2023 monthly 0.5 2023-07-31 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Hidden Treasures https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Hidden Treasures https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Hidden Treasures https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/a8443034-0137-4f06-995e-d51cb41b7f81/A00810_10.jpg Resources - Hidden Treasures In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper11a-2023 monthly 0.5 2023-07-25 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Fields of Plenty https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Fields of Plenty https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Fields of Plenty https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/4d40e846-6200-4eb1-834c-f692aa573f4e/JEAN-FRAN%C3%87OIS_MILLET_-_El_%C3%81ngelus_%28Museo_de_Orsay%2C_1857-1859._%C3%93leo_sobre_lienzo%2C_55.5_x_66_cm%29.jpg Resources - Fields of Plenty In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper10a-2023 monthly 0.5 2023-07-18 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/4579946e-f57f-40d5-b6a1-82bb3c769858/main-image.jpg Resources - Unbearable Abundance In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Unbearable Abundance https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Unbearable Abundance https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Unbearable Abundance https://www.racbellingham.org/resource-blog/proper9a-2023 monthly 0.5 2023-07-11 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/f0d3b649-4262-4e36-b415-daad5ea1814a/Elijah+in+the+desert.jpg Resources - God of Holy Rest In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - God of Holy Rest https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - God of Holy Rest https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - God of Holy Rest https://www.racbellingham.org/resource-blog/proper8a-2023 monthly 0.5 2023-07-05 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - New Priorities https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - New Priorities https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - New Priorities https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/587c06da-283d-41c4-aef5-fab7da82e03c/12-jorge-santana2017-site-mexique.jpg Resources - New Priorities In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper7a-2023 monthly 0.5 2023-06-27 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/dcd15675-47d4-4e3b-b957-fe182ae131d1/Michelangelo_Buonarroti_027.jpg Resources - Through the Waters In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Through the Waters https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Through the Waters https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Through the Waters https://www.racbellingham.org/resource-blog/proper6a-2023 monthly 0.5 2023-06-20 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Rooted for Mission https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Rooted for Mission https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Rooted for Mission https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/26218370-98bc-43a3-af48-8545bff94aff/roots.jpg Resources - Rooted for Mission In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper5a-2023 monthly 0.5 2023-06-13 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/d35130d3-fbd8-4bc4-8756-a0c7ed128a3d/the-treachery-of-images.jpg Resources - Mercy, not Sacrifice - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Mercy, not Sacrifice https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/ee67c63a-a1ec-40f2-a9bd-2f6235347ae2/son-of-man.jpg Resources - Mercy, not Sacrifice In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Mercy, not Sacrifice https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/69fd40fa-be82-4d0b-99f8-9baa8f90ec3b/the-human-condition.jpg Resources - Mercy, not Sacrifice - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Mercy, not Sacrifice https://www.racbellingham.org/resource-blog/trinity-2023 monthly 0.5 2024-05-20 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622048947894-45GLVHJH807BPUNVM05C/unsplash-image-vZsoojmXaB4.jpg Resources - Triradiant Grace, Triradiant Glory https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Triradiant Grace, Triradiant Glory https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047614118-0MJ6NRSPW8XKKJVCK0KW/liturgical+color+%284%29.png Resources - Triradiant Grace, Triradiant Glory https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/017aa39f-87bb-4046-a5ab-1e15804bb18f/fb41d0118ec68a65f6df808325d1caf7_w600.jpg Resources - Triradiant Grace, Triradiant Glory In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/pentecost-2023 monthly 0.5 2024-05-14 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/7f14470f-dfb8-400a-b915-e33a82e333f1/gil-kim-yong_pentecost.jpg Resources - Riot of Whites and Reds In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1621390296078-KJALDFUTQR8QVX2H76PE/unsplash-image-fB6s23tWkT0.jpg Resources - Riot of Whites and Reds https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1621390723922-JBEBFKPQ2XTIQM7ISF12/liturgical+color+%281%29.png Resources - Riot of Whites and Reds https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1621391738133-JOXYI6UHAIWVY1T5YDRP/liturgical+color+%282%29.png Resources - Riot of Whites and Reds https://www.racbellingham.org/resource-blog/7th-easter-2023 monthly 0.5 2024-05-05 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/3aa3bc3f-1a2d-44d6-8311-353455a47b40/ascension-hunterian-psalter.jpg Resources - “Now What” Sunday In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - “Now What” Sunday https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - “Now What” Sunday https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - “Now What” Sunday https://www.racbellingham.org/resource-blog/6th-easter2023 monthly 0.5 2023-05-15 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/fb8a7f1b-fb5b-4816-a713-2201018cf352/tumblr_109e4138adc6587a03ff0a5640afe495_37b16bce_500.png Resources - Rogation Sunday In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - Rogation Sunday https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - Rogation Sunday https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - Rogation Sunday https://www.racbellingham.org/resource-blog/5th-easter2023 monthly 0.5 2023-05-10 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/069602e6-76f2-45a6-8132-7f9c966e1d1e/With%2BHis%2BStripes.jpg Resources - This is the Way In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - This is the Way https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - This is the Way https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - This is the Way https://www.racbellingham.org/resource-blog/4th-easter2023 monthly 0.5 2023-05-02 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - Good Shepherd - Risen Lord https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/12dac54c-5d0e-4b5f-8c0a-e29e3ef59908/tumblr_inline_odey9lBK5X1qkqzlv_500.jpg Resources - Good Shepherd - Risen Lord In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - Good Shepherd - Risen Lord https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - Good Shepherd - Risen Lord https://www.racbellingham.org/resource-blog/3rdeaster-2023 monthly 0.5 2023-04-24 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - Together for the Journey https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/714abce0-8668-4578-8ede-4ff56331d2b0/meeting-the-christ-on-the-road-to-emmaus-daniel-bonnell.jpg Resources - Together for the Journey In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - Together for the Journey https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - Together for the Journey https://www.racbellingham.org/resource-blog/2ndeastera2023 monthly 0.5 2023-04-16 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - The Beginning of Wisdom https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - The Beginning of Wisdom https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - The Beginning of Wisdom https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/b399682e-8e1e-4385-a826-c02aa5504b83/milan_diptych_500.jpg Resources - The Beginning of Wisdom In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/easter2023 monthly 0.5 2023-04-11 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/6b0f7dbf-66d4-4d51-9dd8-49000630d79a/large-88714cea53d7b3194de70ce6cb44474289561fd6.jpg Resources - Marvelous in our Eyes In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617505844775-OXN4N92OU0KUO1WGAI44/liturgical+color_+%2824%29.png Resources - Marvelous in our Eyes https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617505844775-OXN4N92OU0KUO1WGAI44/liturgical+color_+%2824%29.png Resources - Marvelous in our Eyes https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - Marvelous in our Eyes https://www.racbellingham.org/resource-blog/len-6b-2022-btbta monthly 0.5 2024-03-19 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1616852801311-FPRRTC0E6WHASMS4299W/7212816720_e13d8efdbc_b.jpg Resources - A Song of Entry https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1616853172309-5IZ9AFPUXUU670UIHWO4/liturgical+color_+%2823%29.png Resources - A Song of Entry https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1ef889cd-b274-4159-9716-87389acc23c2/stankova-julia_entry-into-jerusalem.jpg Resources - A Song of Entry In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1616853197500-MGJPTAX8RP3Z2X0ZRNXB/liturgical+color_+%2823%29.png Resources - A Song of Entry https://www.racbellingham.org/resource-blog/lent4-2023-d7d2m monthly 0.5 2024-03-13 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/df7680a0-0409-46de-83eb-fdd63a603a0d/unsplash-image-Ikq7yAlvfGs.jpg Resources - Forechoes of the Passion https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Forechoes of the Passion https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Forechoes of the Passion https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/81540c3b-618d-4072-9f37-17decc98f67d/stankova-julia_the-resurrection-of-lazarus.jpg Resources - Forechoes of the Passion In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/lent4-2023 monthly 0.5 2023-03-22 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Finding our Way (or, being found by it) https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/38565a05-c311-4672-aad4-d15db0d98425/tumblr_inline_nwt3woCdUP1qkqzlv_500.jpg Resources - Finding our Way (or, being found by it) In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Finding our Way (or, being found by it) https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/73b25490-8bac-49ed-a233-e68d7843a233/unsplash-image-ZCDt0z4XOiM.jpg Resources - Finding our Way (or, being found by it) https://www.racbellingham.org/resource-blog/lent3-2023 monthly 0.5 2023-03-14 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/3c6329ce-656c-4e14-8a7b-66d33dc336da/in-jesus-name-anthony-falbo.jpg Resources - Water from the Rock In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Water from the Rock https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Water from the Rock https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/df7680a0-0409-46de-83eb-fdd63a603a0d/unsplash-image-Ikq7yAlvfGs.jpg Resources - Water from the Rock https://www.racbellingham.org/resource-blog/lent1-2023-t58gd monthly 0.5 2023-03-06 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Night Kindness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/36291d66-b395-4204-ab08-7394e971e9a5/stained-glass-saints-elise-ritter.jpg Resources - Night Kindness In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Night Kindness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/df7680a0-0409-46de-83eb-fdd63a603a0d/unsplash-image-Ikq7yAlvfGs.jpg Resources - Night Kindness https://www.racbellingham.org/resource-blog/lent1-2023 monthly 0.5 2023-02-27 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Into the Wilderness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/df7680a0-0409-46de-83eb-fdd63a603a0d/unsplash-image-Ikq7yAlvfGs.jpg Resources - Into the Wilderness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/e5585887-894e-49ea-a633-12414df3373a/tumblr_inline_p60h4vIW2X1qkqzlv_500.png Resources - Into the Wilderness In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Into the Wilderness https://www.racbellingham.org/resource-blog/last-epiphany-2023 monthly 0.5 2023-02-20 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/5c8937b3-397c-4916-ab2f-021f18361a99/b06304057904710be43d405e9fd8c041.jpg Resources - The Light, Glad and Terrible In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610230872738-D8FBBCRR5N5RZ9AJGUA9/liturgical+color_+%2817%29.png Resources - The Light, Glad and Terrible https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - The Light, Glad and Terrible https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - The Light, Glad and Terrible https://www.racbellingham.org/resource-blog/epiphany6-2023 monthly 0.5 2023-02-15 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - The Surfeit of Blessing https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - The Surfeit of Blessing https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - The Surfeit of Blessing https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/24b12682-ad8d-43a3-8fda-0e8c18864317/Plentiful.jpg Resources - The Surfeit of Blessing In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/epiphany-5-2023 monthly 0.5 2023-02-06 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - The Salt of the Earth https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/bb066056-1aca-4394-aca4-1120766882ab/prince-steve_salt-of-the-earth.jpg Resources - The Salt of the Earth In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - The Salt of the Earth https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - The Salt of the Earth https://www.racbellingham.org/resource-blog/epiphany-4-2023 monthly 0.5 2023-01-31 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - Among the #Blessed https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - Among the #Blessed https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - Among the #Blessed https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/bdac87ff-5709-42b0-bbe8-833d9ef7c6e3/van-gogh-vincent_women-carrying-sacks-of-coal-in-the-snow.jpg Resources - Among the #Blessed In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/epiphany-2023-63s78-74pg6 monthly 0.5 2023-01-23 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - Walking Together in the Light https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/797a6276-d5ad-4bf5-b0c9-9e3a5f7a2727/download.jpeg Resources - Walking Together in the Light In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - Walking Together in the Light https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - Walking Together in the Light https://www.racbellingham.org/resource-blog/epiphany-2023-63s78 monthly 0.5 2023-01-18 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - Illuminated by the Radiance of his Glory! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - Illuminated by the Radiance of his Glory! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610833447227-ZV16AGU5QG8C14OGGD5V/liturgical+color_+%2820%29.png Resources - Illuminated by the Radiance of his Glory! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/64b1b37b-b306-498e-b506-b1c7ec78b9b9/cd2a8ff8190e4b5cadc7fde9c0fb5349.png Resources - Illuminated by the Radiance of his Glory! In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/epiphany-2023 monthly 0.5 2023-01-08 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - Christ Revealed to the Nations https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/227b8686-10b6-4093-8ca9-9438d72c959f/hunter-clementine_the-annunciation-and-the-adoration-of-the-wise-men.jpg Resources - Christ Revealed to the Nations In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - Christ Revealed to the Nations https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - Christ Revealed to the Nations https://www.racbellingham.org/resource-blog/xmas-2a-2022 monthly 0.5 2023-01-03 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/146c73d9-f1a8-414e-86c7-ef639bb2e1a3/69662-%D9%84%D9%88%D8%AD%D8%A7%D8%AA-%D9%81%D9%84%D8%B3%D8%B7%D9%8A%D9%86%D9%8A%D8%A9-%D8%B9%D9%86-%D8%A7%D9%84%D9%85%D8%B3%D9%8A%D8%AD-%285%29.jpg Resources - The Name that Crowns the Year In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - The Name that Crowns the Year https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - The Name that Crowns the Year https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - The Name that Crowns the Year https://www.racbellingham.org/resource-blog/xmas-2022 monthly 0.5 2022-12-24 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/e76bbde8-cdc2-430c-a316-a02b81eb89b7/wonder_1671653113591.jpg Resources - O Come … !! In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - O Come … !! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - O Come … !! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - O Come … !! https://www.racbellingham.org/resource-blog/advent-4a-2022 monthly 0.5 2022-12-21 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1608346738852-IZV3FVHV4QASNF98HLJB/liturgical+color_+%2812%29.png Resources - The Gate of Wonder https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/cf4ded1f-8695-440f-bc80-3ae4da072d65/tumblr_7012ecbd76b3c14baef622995465fe2e_3daf8580_500.png Resources - The Gate of Wonder In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1608346762217-BP1EABYV6GJZWLKN8KYY/liturgical+color_+%286%29.png Resources - The Gate of Wonder https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/f37e7378-edf2-4387-96a2-5f74021626b3/Visitation_hand_wLG.jpg Resources - The Gate of Wonder - Make it stand out James Janknegt, The Visitation (2008) https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607053061766-W6RY1OHDUL0OQK93QAVH/image.jpg Resources - The Gate of Wonder https://www.racbellingham.org/resource-blog/advent-3a-2022 monthly 0.5 2023-12-12 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/9ae54922-c57b-4961-a19b-5367cabfea82/wonder1670266420727.jpg Resources - Joy, Redemption, Restoration In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607056876915-P677I1X248JGRXO4PZ3P/image.jpg Resources - Joy, Redemption, Restoration https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607056710271-SLB60KO89MVPDCRIPAJV/liturgical+color_+%289%29.png Resources - Joy, Redemption, Restoration https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607056710271-SLB60KO89MVPDCRIPAJV/liturgical+color_+%289%29.png Resources - Joy, Redemption, Restoration https://www.racbellingham.org/resource-blog/advent-2a-2022 monthly 0.5 2022-12-05 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607050242430-CEO76OK9EEBZ1KCPMYFG/liturgical+color_+%286%29.png Resources - Prepare the Way of the Lord! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607053061766-W6RY1OHDUL0OQK93QAVH/image.jpg Resources - Prepare the Way of the Lord! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/5656eee8-64bd-4f1e-b25b-d322772c0174/john-the-baptist-door-serima_600x600.jpg Resources - Prepare the Way of the Lord! In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607050242430-CEO76OK9EEBZ1KCPMYFG/liturgical+color_+%286%29.png Resources - Prepare the Way of the Lord! https://www.racbellingham.org/resource-blog/advent-1b-ag443 monthly 0.5 2022-11-28 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605934482383-12UJBQPS09V1ZZUUKI9R/liturgical+color_+%284%29.png Resources - Coming Soon … https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605934482383-12UJBQPS09V1ZZUUKI9R/liturgical+color_+%284%29.png Resources - Coming Soon … https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/b2414717-3046-4a3b-873c-9683799f507c/houshiary-shirazeh_christmas-tree.jpg Resources - Coming Soon … The Christmas Tree display in the Tate Museum in London in 2016 by the British-Iranian artist Shirazeh Houshiary is arresting for its simplicity and its power. A live pine tree is suspended upside-down, with its exposed roots reaching up towards heaven, rather than down into the earth. Not only that, the roots are covered in gold leaf, evoking the wonder of heavenly things. The provocative display is abundantly appropriate for the Advent season. “Drop down, O heavens!” cries the Prophet Isaiah. We sense the heaviness of this time. We feel the darkness and the gloom that presses in upon us; the imminence of divine judgement. Christmas does not “come” so much as it “descends,” it falls upon us, often quite unprepared. And yet, what falls is not everything we dread, and all we fear we might deserve, but life, and light, and hope, and peace. This is the mystery we anticipate and we celebrate in this darkening and darkest time of the year: God-in-the-flesh come down into the midst of this broken world, and establishing forever his presence among us. The Son of Man is coming at an hour you do not expect. — Jesus Christ, the Son of God (Matt 24:44) https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605942082112-1SIIHXWI5VY2VUPLHOGQ/967a54cf28756f2b934135202ad93536.jpg Resources - Coming Soon … https://www.racbellingham.org/resource-blog/proper22c-2022-8a3r8-hjr9e monthly 0.5 2022-11-21 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - INRI https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - INRI https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - INRI https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/4ff8f7c3-31e8-441b-848f-b8a162a1207c/rootofjessebranch.jpg Resources - INRI - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.racbellingham.org/resource-blog/proper22c-2022-8a3r8 monthly 0.5 2022-11-14 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - No Stone Left on Stone https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - No Stone Left on Stone https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/d51daa15-b32e-41a9-9174-94d95b6c2d30/images.jpeg Resources - No Stone Left on Stone - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/f8a2792f-7090-4f49-87c5-555266acd0a1/Francesco_Hayez_017.jpg Resources - No Stone Left on Stone - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - No Stone Left on Stone https://www.racbellingham.org/resource-blog/proper22c-2022 monthly 0.5 2022-11-07 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The End of Death https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The End of Death https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The End of Death https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/784d3160-34c8-495f-b9ad-e2f05b0d3bad/Signorelli_Resurrection.jpg Resources - The End of Death - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.racbellingham.org/resource-blog/proper21c-2022 monthly 0.5 2022-11-01 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/64af83e5-bd9f-4f74-b9f5-6257ba748bf8/st_david_le_dendrite.jpg Resources - In the Trees - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - In the Trees https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - In the Trees https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - In the Trees https://www.racbellingham.org/resource-blog/proper19c-2022-lgxfj-8m49n-mxrw2-t7s9x-8r62e-9mseb monthly 0.5 2022-10-20 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Downcast Plea https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Downcast Plea https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/de9bf96a-5a8d-4e4b-8688-92884c50de20/The-Parable-of-The-Pharisee-and-The-Tax-Collector-Luke-18-9-14.jpg Resources - The Downcast Plea - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Downcast Plea https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/6b117dac-48a9-405d-92ab-db0a042f851f/bb270e4a28663d5c11b1fc7d1cacf586.jpg Resources - The Downcast Plea - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.racbellingham.org/resource-blog/proper19c-2022-lgxfj-8m49n-mxrw2-t7s9x-8r62e monthly 0.5 2022-10-16 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Persistent Petitions https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Persistent Petitions https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Persistent Petitions https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/b4afd57e-a3e1-4c04-a05a-88c24c029284/persistent_widow_wLG.jpg Resources - Persistent Petitions - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.racbellingham.org/resource-blog/proper19c-2022-lgxfj-8m49n-mxrw2-t7s9x monthly 0.5 2022-10-13 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Faithful Foreigner https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/b3d4450a-c1ff-4b89-874c-b9fc044ec496/e68bc70e5470d1e3b547dd9438e0729f.jpg Resources - The Faithful Foreigner - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Faithful Foreigner https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Faithful Foreigner https://www.racbellingham.org/resource-blog/proper19c-2022-lgxfj-8m49n-mxrw2 monthly 0.5 2022-10-04 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Increase our Faith https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/5eb31ec7-8ffe-441a-b922-6c90bc05c898/tumblr_inline_p60kbuhQaS1qkqzlv_540.png Resources - Increase our Faith - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Increase our Faith https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Increase our Faith https://www.racbellingham.org/resource-blog/proper19c-2022-lgxfj-8m49n monthly 0.5 2022-09-26 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Rich Man and Lazarus https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/e9d23555-5db1-4774-a110-6b85d89dec19/download+%283%29_auto_x2.jpg Resources - The Rich Man and Lazarus - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Rich Man and Lazarus https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Rich Man and Lazarus https://www.racbellingham.org/resource-blog/proper19c-2022-lgxfj monthly 0.5 2022-09-17 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Best Famine to Prep For https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Best Famine to Prep For https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/0a76e22b-1b10-44d7-a1ed-f19ad8b5c081/Parable_of_the_Unjust_Steward._A._Mironov.jpg Resources - The Best Famine to Prep For - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Best Famine to Prep For https://www.racbellingham.org/resource-blog/proper19c-2022 monthly 0.5 2022-09-09 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/e012dfc2-cc9b-4048-b618-f9aff63bb4d9/tumblr_inline_odb8dz8qas1qkqzlv_500.jpg Resources - Joy in Heaven - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Joy in Heaven https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Joy in Heaven https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Joy in Heaven https://www.racbellingham.org/resource-blog/proper17c-2022 monthly 0.5 2022-09-03 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - No Refunds on Discipleship https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/4d969c51-46be-44df-8c35-e63a527b1fc7/Oscar-gustave-rejlander_two_ways_of_life.jpg Resources - No Refunds on Discipleship - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - No Refunds on Discipleship https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - No Refunds on Discipleship https://www.racbellingham.org/resource-blog/proper15c-2022-dzeaa-2x58l monthly 0.5 2022-08-28 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/dffdafdb-dc5e-4ba9-ac4f-590fa5e7894c/unnamed.png Resources - Blessings Overflow In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Blessings Overflow https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Blessings Overflow https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Blessings Overflow https://www.racbellingham.org/resource-blog/proper15c-2022-dzeaa monthly 0.5 2022-08-18 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Universal Table, Narrow Door https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/6b7e86e1-1eed-4cd8-a98e-903ae94335a5/tumblr_inline_nvmjdaYssj1qkqzlv_500.jpg Resources - Universal Table, Narrow Door In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Universal Table, Narrow Door https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Universal Table, Narrow Door https://www.racbellingham.org/resource-blog/proper15c-2022 monthly 0.5 2022-08-17 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Fire on the Earth https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/e7163e95-5186-4182-a080-0a91f231c405/tumblr_inline_ovvnf0pVAr1qkqzlv_500.png Resources - Fire on the Earth In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Fire on the Earth https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Fire on the Earth https://www.racbellingham.org/resource-blog/proper14c monthly 0.5 2022-08-09 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - God’s Good Pleasure https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - God’s Good Pleasure https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/70b61df8-125d-4d44-802a-de902afff5e6/ezgif-1-632e2d732c.jpg Resources - God’s Good Pleasure In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - God’s Good Pleasure https://www.racbellingham.org/resource-blog/proper13c monthly 0.5 2022-08-05 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - What is to be gained under the sun? https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - What is to be gained under the sun? https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/41ab3057-dca8-4620-bf2b-a068b32912d1/rich_fool_watchful_servants.jpg Resources - What is to be gained under the sun? In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - What is to be gained under the sun? https://www.racbellingham.org/resource-blog/proper12c-2022 monthly 0.5 2022-07-30 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - In Praise of Importunity https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/bff715a9-199d-4693-81a8-0461ed3d50f7/2009CP4388.jpg Resources - In Praise of Importunity In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - In Praise of Importunity https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - In Praise of Importunity https://www.racbellingham.org/resource-blog/proper11c-2022 monthly 0.5 2022-07-21 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/703d1fde-9dd1-4111-97e8-e7f2ba0ab50c/tumblr_05efb80d523c8248e1596383d2b473b6_bb897c45_500.png Resources - The Good Portion In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Good Portion https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Good Portion https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Good Portion https://www.racbellingham.org/resource-blog/proper9c-2022-k24gp monthly 0.5 2022-07-15 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/131b8466-53c5-4012-b954-85f34aac360e/tumblr_inline_oaa0p01ich1qkqzlv_500.jpg Resources - The Very-Near Word of God In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Very-Near Word of God https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Very-Near Word of God https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Very-Near Word of God https://www.racbellingham.org/resource-blog/proper9c-2022 monthly 0.5 2022-07-07 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - To the Lord of the Harvest https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - To the Lord of the Harvest https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/60b8093b-95e5-41bd-94ba-dc970acc6c33/psalm67main.jpg Resources - To the Lord of the Harvest In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - To the Lord of the Harvest https://www.racbellingham.org/resource-blog/proper8c-2022 monthly 0.5 2022-06-29 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - On the Journey https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - On the Journey https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/661073cf-912f-47aa-a691-c3b26da967de/Stanley-spencer-christ-in-the-wilderness.-the-foxes-have-holes.jpg Resources - On the Journey In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - On the Journey https://www.racbellingham.org/resource-blog/proper7c-2022 monthly 0.5 2022-06-21 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Pleas for Mercy https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Pleas for Mercy https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/ee524e36-35eb-40d6-951e-fce673dd1bcc/christ-pierced-crucifixion.png Resources - Pleas for Mercy In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Pleas for Mercy https://www.racbellingham.org/resource-blog/trinity-2021-gb3pe monthly 0.5 2022-06-15 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Song of the Unending Three https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622048947894-45GLVHJH807BPUNVM05C/unsplash-image-vZsoojmXaB4.jpg Resources - The Song of the Unending Three https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/6d2e1986-3284-4ce9-b0cb-c24316d28b1c/thamburaj-a.-j._the-holy-trinity.jpg Resources - The Song of the Unending Three In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047614118-0MJ6NRSPW8XKKJVCK0KW/liturgical+color+%284%29.png Resources - The Song of the Unending Three https://www.racbellingham.org/resource-blog/pentecost-2022 monthly 0.5 2023-05-23 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1621391738133-JOXYI6UHAIWVY1T5YDRP/liturgical+color+%282%29.png Resources - Come Down, Love Divine https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1621390723922-JBEBFKPQ2XTIQM7ISF12/liturgical+color+%281%29.png Resources - Come Down, Love Divine https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1621390296078-KJALDFUTQR8QVX2H76PE/unsplash-image-fB6s23tWkT0.jpg Resources - Come Down, Love Divine https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/0f8802bf-865e-4d5b-ba1a-3a23e0960350/tumblr_inline_p8ye740xwo1qkqzlv_400.png Resources - Come Down, Love Divine In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/ascension-b-2021-863wy monthly 0.5 2025-05-29 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1fc19f89-7e2e-468e-a0af-df9c99eaf1a7/ascention-danny-hahlbohm.jpg Resources - His Present Absence … In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - His Present Absence … https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - His Present Absence … https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1620928171314-WPLBO8RL4NQEG76XLFNZ/liturgical+color.png Resources - His Present Absence … https://www.racbellingham.org/resource-blog/easter-6c-2022 monthly 0.5 2022-05-26 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - Risen Christ, King of Creation https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - Risen Christ, King of Creation https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - Risen Christ, King of Creation https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/f05f8e3b-4785-4928-8a6d-3b636ab8121b/tree_of_life_san_clemente_lg.jpg Resources - Risen Christ, King of Creation In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/easter-4b-2021-z3wlc-9jdmf monthly 0.5 2022-05-17 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - The Festal Smoke yet Ascends https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - The Festal Smoke yet Ascends https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - The Festal Smoke yet Ascends https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/86a81571-7ced-4a92-ad73-76ee38e975d4/revelation-19-11-16-anthony-falbo.jpg Resources - The Festal Smoke yet Ascends In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/easter-4b-2021-z3wlc monthly 0.5 2022-05-12 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/3394afca-1ecb-497a-aac1-5df8ab01aa6a/tumblr_inline_o5retqCEag1qkqzlv_1280.jpg Resources - Good Shepherd, Questionable Sheep In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - Good Shepherd, Questionable Sheep https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - Good Shepherd, Questionable Sheep https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - Good Shepherd, Questionable Sheep https://www.racbellingham.org/resource-blog/3rdeasterc2022 monthly 0.5 2022-04-30 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - 153 Large Fish https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - 153 Large Fish https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - 153 Large Fish https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/737b3cbe-ca1a-4938-9ea3-cee69439a61f/fishermen_2021_main.jpg Resources - 153 Large Fish In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/2ndeasterc2022 monthly 0.5 2022-04-28 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - My Lord and my God! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/7740849a-a6f4-4e55-b8fc-3dbffd43b6a4/Thomas-and-the-Wound.jpg Resources - My Lord and my God! In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - My Lord and my God! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/273056fe-9fcd-41a0-80f7-aae8eacc647c/rauschenberg-robert_untitled.jpg Resources - My Lord and my God! - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - My Lord and my God! https://www.racbellingham.org/resource-blog/easter2022 monthly 0.5 2022-04-21 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/52ac7a26-7f0d-4f97-9552-78b7776eb383/1024px-Ch%C5%93ur_et_fresque_d%27Arcabas_de_l%27%C3%A9glise_Saint_Paul.jpg Resources - Let God Arise! In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - Let God Arise! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617505844775-OXN4N92OU0KUO1WGAI44/liturgical+color_+%2824%29.png Resources - Let God Arise! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617505844775-OXN4N92OU0KUO1WGAI44/liturgical+color_+%2824%29.png Resources - Let God Arise! https://www.racbellingham.org/resource-blog/len-6b-2022 monthly 0.5 2023-03-28 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1616853197500-MGJPTAX8RP3Z2X0ZRNXB/liturgical+color_+%2823%29.png Resources - Sunday of Songs, Sunday of Sorrows https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/9d6bdc5a-9a03-4564-a18d-406108fa441b/tumblr_inline_nlyhujopIp1qkqzlv_500.jpg Resources - Sunday of Songs, Sunday of Sorrows In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1616852801311-FPRRTC0E6WHASMS4299W/7212816720_e13d8efdbc_b.jpg Resources - Sunday of Songs, Sunday of Sorrows https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1616853172309-5IZ9AFPUXUU670UIHWO4/liturgical+color_+%2823%29.png Resources - Sunday of Songs, Sunday of Sorrows https://www.racbellingham.org/resource-blog/len-5c-2022 monthly 0.5 2025-04-02 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Towards the Passion https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/854c2331-8423-45c4-9966-6218df31341c/800px-CodexAureusEpternacensisf76f.jpg Resources - Towards the Passion In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689414200-9M09EJH4H2LY85HFEVEA/image.jpg Resources - Towards the Passion https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Towards the Passion https://www.racbellingham.org/resource-blog/len-4b-2022 monthly 0.5 2025-03-26 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/82d118ce-29d2-4623-af55-25dd836e2b20/jesus-illusion-calvary.jpg Resources - The Indefatigable Nearness of God In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - The Indefatigable Nearness of God https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689414200-9M09EJH4H2LY85HFEVEA/image.jpg Resources - The Indefatigable Nearness of God https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - The Indefatigable Nearness of God https://www.racbellingham.org/resource-blog/lent3-2022 monthly 0.5 2025-03-19 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/903da522-8b31-45ab-a302-2df15171bffd/fig.PNG Resources - Mercy for the Fruitless In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Mercy for the Fruitless https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689414200-9M09EJH4H2LY85HFEVEA/image.jpg Resources - Mercy for the Fruitless https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Mercy for the Fruitless https://www.racbellingham.org/resource-blog/lent2c-2022 monthly 0.5 2022-03-15 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/0df08efb-25e1-401f-a199-ad74e2c7a8e1/Film9477_02-1024x997.jpg Resources - Tears over the City In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Tears over the City https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689414200-9M09EJH4H2LY85HFEVEA/image.jpg Resources - Tears over the City https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Tears over the City https://www.racbellingham.org/resource-blog/lent1c monthly 0.5 2025-03-06 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Into the Wilds https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/c9725ce4-2521-401f-9acc-6ab8c10c1305/jesus_tempted.jpg Resources - Into the Wilds In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Into the Wilds https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689414200-9M09EJH4H2LY85HFEVEA/image.jpg Resources - Into the Wilds https://www.racbellingham.org/resource-blog/6th-epiph-c-2022-ddt6p-jg5cn monthly 0.5 2022-03-04 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1940a21f-4496-4d6b-99a4-2e3b24ff1ff2/liturgical+color+%287%29.png Resources - Floored by Glory https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/e13865a2-e8b9-463e-a4c4-6ddc0ecf0a2c/8-1.jpg Resources - Floored by Glory In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/678fdb29-cf0a-4bd9-b9ce-f00384f3a0ed/unsplash-image-f0OL01IHbCM.jpg Resources - Floored by Glory https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1940a21f-4496-4d6b-99a4-2e3b24ff1ff2/liturgical+color+%287%29.png Resources - Floored by Glory https://www.racbellingham.org/resource-blog/6th-epiph-c-2022-ddt6p monthly 0.5 2022-02-22 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/093d0069-2fe1-475b-b4fa-dcc70a3a3546/616-Not-Only-My-Feet-03-BT-fs2.jpg Resources - For the Life of the World In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1940a21f-4496-4d6b-99a4-2e3b24ff1ff2/liturgical+color+%287%29.png Resources - For the Life of the World https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/678fdb29-cf0a-4bd9-b9ce-f00384f3a0ed/unsplash-image-f0OL01IHbCM.jpg Resources - For the Life of the World https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1940a21f-4496-4d6b-99a4-2e3b24ff1ff2/liturgical+color+%287%29.png Resources - For the Life of the World https://www.racbellingham.org/resource-blog/6th-epiph-c-2022 monthly 0.5 2022-02-14 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/47820de0-3400-480b-a3e2-4762b3c22124/Jorge_Cocco_The_Two_Ways_sxfzev.jpg Resources - Two Roads, One Way In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1940a21f-4496-4d6b-99a4-2e3b24ff1ff2/liturgical+color+%287%29.png Resources - Two Roads, One Way https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/678fdb29-cf0a-4bd9-b9ce-f00384f3a0ed/unsplash-image-f0OL01IHbCM.jpg Resources - Two Roads, One Way https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1940a21f-4496-4d6b-99a4-2e3b24ff1ff2/liturgical+color+%287%29.png Resources - Two Roads, One Way https://www.racbellingham.org/resource-blog/5th-epiph-c-2022 monthly 0.5 2022-02-12 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610837136855-ATHGXXO8UB3FZ1F3O63H/liturgical+color_+%2820%29.png Resources - An Astonishing Abundance https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835289613-UMLQCZLZBXE7KUC4NSAP/image.jpg Resources - An Astonishing Abundance https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1644036795078-2D9JN2GGISRQCIGBZBVC/90764-John+Reilly+Miracle+Draught+John+21+%281%29.jpg Resources - An Astonishing Abundance In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835328278-C6UUE0GC02JOU6LYEHQI/liturgical+color_+%2820%29.png Resources - An Astonishing Abundance https://www.racbellingham.org/resource-blog/3rd-epiphany-c-2021-djx5e monthly 0.5 2022-01-31 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835328278-C6UUE0GC02JOU6LYEHQI/liturgical+color_+%2820%29.png Resources - Jesus on the Edge https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/b58e34bf-9b1f-439c-829e-8a68111a912b/The+Dalit.jpg Resources - Jesus on the Edge In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835289613-UMLQCZLZBXE7KUC4NSAP/image.jpg Resources - Jesus on the Edge https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610837136855-ATHGXXO8UB3FZ1F3O63H/liturgical+color_+%2820%29.png Resources - Jesus on the Edge https://www.racbellingham.org/resource-blog/3rd-epiphany-c-2021 monthly 0.5 2022-01-24 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/566400e7-74ce-4fe1-96d9-9d10393346a8/liberation-theology-bienaventuranzas_cerezo-740x485.png Resources - Good News for the Poor In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835328278-C6UUE0GC02JOU6LYEHQI/liturgical+color_+%2820%29.png Resources - Good News for the Poor https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610837136855-ATHGXXO8UB3FZ1F3O63H/liturgical+color_+%2820%29.png Resources - Good News for the Poor https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835289613-UMLQCZLZBXE7KUC4NSAP/image.jpg Resources - Good News for the Poor https://www.racbellingham.org/resource-blog/2nd-epiph-2021c monthly 0.5 2022-01-17 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1aa9de70-1d57-4fb3-a1a0-78b4e7123dfe/Cana_wLG.jpg Resources - The Finest Wine In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835289613-UMLQCZLZBXE7KUC4NSAP/image.jpg Resources - The Finest Wine https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610837136855-ATHGXXO8UB3FZ1F3O63H/liturgical+color_+%2820%29.png Resources - The Finest Wine https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835328278-C6UUE0GC02JOU6LYEHQI/liturgical+color_+%2820%29.png Resources - The Finest Wine https://www.racbellingham.org/resource-blog/bapjesus-2022 monthly 0.5 2022-01-15 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/e0892abf-75c0-4b1e-854c-c15817fab4fc/551.jpg Resources - Christ in the River In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/c0cf95ce-027d-4835-9aa0-9538b3d6059e/theophany+edited.jpg Resources - Christ in the River - Make it stand out How blessed are the feet! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - Christ in the River https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610230872738-D8FBBCRR5N5RZ9AJGUA9/liturgical+color_+%2817%29.png Resources - Christ in the River https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610230872738-D8FBBCRR5N5RZ9AJGUA9/liturgical+color_+%2817%29.png Resources - Christ in the River https://www.racbellingham.org/resource-blog/xmas-2c-2021 monthly 0.5 2022-12-24 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - Joy in Abundance https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - Joy in Abundance https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - Joy in Abundance https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/c259aeeb-857c-4faa-bf39-2050e2a8e2e7/Anna-Makac-3.jpg Resources - Joy in Abundance In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/xmas-2021 monthly 0.5 2022-12-21 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - Christ is Born! Glorify Him! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/811d1fa1-1c33-4522-908c-77398e2bcb80/16403195894053272743697506569740.jpg Resources - Christ is Born! Glorify Him! In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - Christ is Born! Glorify Him! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - Christ is Born! Glorify Him! https://www.racbellingham.org/resource-blog/advent-4c-2021 monthly 0.5 2022-12-12 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607053061766-W6RY1OHDUL0OQK93QAVH/image.jpg Resources - From Eva to Ave https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1608346762217-BP1EABYV6GJZWLKN8KYY/liturgical+color_+%286%29.png Resources - From Eva to Ave https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/f37e7378-edf2-4387-96a2-5f74021626b3/Visitation_hand_wLG.jpg Resources - From Eva to Ave - Make it stand out James Janknegt, The Visitation (2008) https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1608346738852-IZV3FVHV4QASNF98HLJB/liturgical+color_+%2812%29.png Resources - From Eva to Ave https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/d2651498-4137-4645-bad0-9b04e158cac3/maryandeve.png Resources - From Eva to Ave In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/advent-3c-2021 monthly 0.5 2022-12-05 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/00efeca8-1bc1-4397-a1de-68e2493d14c2/VP_052620.jpg Resources - Rejoice! Jesus is Coming Soon! In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607056710271-SLB60KO89MVPDCRIPAJV/liturgical+color_+%289%29.png Resources - Rejoice! Jesus is Coming Soon! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607056710271-SLB60KO89MVPDCRIPAJV/liturgical+color_+%289%29.png Resources - Rejoice! Jesus is Coming Soon! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607056876915-P677I1X248JGRXO4PZ3P/image.jpg Resources - Rejoice! Jesus is Coming Soon! https://www.racbellingham.org/resource-blog/advent-1c monthly 0.5 2022-11-28 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607050242430-CEO76OK9EEBZ1KCPMYFG/liturgical+color_+%286%29.png Resources - Behold, I Send my Messenger https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607050242430-CEO76OK9EEBZ1KCPMYFG/liturgical+color_+%286%29.png Resources - Behold, I Send my Messenger https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607053061766-W6RY1OHDUL0OQK93QAVH/image.jpg Resources - Behold, I Send my Messenger https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/dbe6ec50-0ac1-40f1-93e2-e2b243b6baf5/yatskiv-lyuba_john-the-baptist-triptych.jpg Resources - Behold, I Send my Messenger In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/advent-1c-2021 monthly 0.5 2021-11-27 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605934482383-12UJBQPS09V1ZZUUKI9R/liturgical+color_+%284%29.png Resources - Surely, the Lord is Coming Soon https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/ac91d779-a662-44b7-a611-15f006cb22aa/weight-of-the-world-allowed-living-water-to-flow-melani-pyke.jpg Resources - Surely, the Lord is Coming Soon There’s little that’s traditionally “Advent”-y about Canadian artist Melani Pyke’s Weight of the World Allowed Living Water to Flow. The heart of the image is, of course, the Crucified Christ enthroned upon a mountain, bearing above him a dark cloud, and with a great torrent emerging from his heart. But what Pyke perceives — not only here, but in other of her paintings — is a profound sense of the power of Christ in both his presence and coming that we do well to allow to pervade our anticipation of both his coming, and his coming again. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605934482383-12UJBQPS09V1ZZUUKI9R/liturgical+color_+%284%29.png Resources - Surely, the Lord is Coming Soon https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605942082112-1SIIHXWI5VY2VUPLHOGQ/967a54cf28756f2b934135202ad93536.jpg Resources - Surely, the Lord is Coming Soon https://www.racbellingham.org/resource-blog/ctk-2021 monthly 0.5 2021-11-26 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605927831237-YT1PTAWP2A8H8XIQOP2T/liturgical+color_+%282%29.png Resources - Jesus Christ, King of the Universe https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605927831237-YT1PTAWP2A8H8XIQOP2T/liturgical+color_+%282%29.png Resources - Jesus Christ, King of the Universe https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/2b986148-2b57-45bb-984b-b34abaa6c3c5/christ-on-water_u-l-q1hujis0.jpg Resources - Jesus Christ, King of the Universe While the 19th C. Russian artist Julius Sergius Klever is most known for his sublime landscapes, in Christ on the Water (ca 1880), he turns trained to the interplay of faded sunlight with the horizon to the subject of Jesus Christ, and his singular and solitary presence upon the waves of the sea. The simple painting is serene but unsettled: Christ stands alone and forlorn in an impossible space, and the roiling waves are offset by a warm luminosity. But the light is the light of Christ himself: even the sun is caught up within the drama of his divinity, although he — his eyes humbly cast downward — quietly receives this centrality, rather than seizing upon it https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605468319725-6NGJMLCC1Q610JOBCDSZ/VP_050918.jpg Resources - Jesus Christ, King of the Universe https://www.racbellingham.org/resource-blog/proper28-2021 monthly 0.5 2021-11-16 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/e1f2ec0b-95a0-44df-94b4-e2e6659c577d/Kaulbach_Zerstoerung_Jerusalems_durch_Titus.jpg Resources - The Abomination that causes Desolation In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Abomination that causes Desolation https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Abomination that causes Desolation https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1635712141414-HKFFOLZA1GAQ68GTEDA3/liturgical+color.png Resources - The Abomination that causes Desolation https://www.racbellingham.org/resource-blog/proper27-2021 monthly 0.5 2021-11-05 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1635712141414-HKFFOLZA1GAQ68GTEDA3/liturgical+color.png Resources - A Widow’s Might https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - A Widow’s Might https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - A Widow’s Might https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1635876443824-1G2UFEZFZLXWPG1XVBFF/widows-mite-sheri-lauren-schmidt.jpg Resources - A Widow’s Might In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper26-2021 monthly 0.5 2021-10-31 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1633026111977-NTO2459IR4CJ67KWJBOH/liturgical+color.png Resources - The Bindings of the Law https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1635132000334-1F906LAOLHFPGYMLB3T4/dy_teffillin_closeup1.jpg Resources - The Bindings of the Law In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Bindings of the Law https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Bindings of the Law https://www.racbellingham.org/resource-blog/proper25-2021 monthly 0.5 2021-10-24 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1633026111977-NTO2459IR4CJ67KWJBOH/liturgical+color.png Resources - The Problem of Discipleship https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Problem of Discipleship https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Problem of Discipleship https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1634578687493-DA735TFNIMT7R4VY5AX9/Pieter_bruegel_the_elder-the_parable_of_the_blind_leading_the_blind_detail_.jfif Resources - The Problem of Discipleship In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper24-2021 monthly 0.5 2021-10-18 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Dispute Among Them https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Dispute Among Them https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1633026111977-NTO2459IR4CJ67KWJBOH/liturgical+color.png Resources - The Dispute Among Them https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1633920770623-BPH3SUIF3VVFDWW73WGG/school%40athens.jpg Resources - The Dispute Among Them In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper23-2021 monthly 0.5 2021-10-11 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Threading the Needle https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Threading the Needle https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1633026111977-NTO2459IR4CJ67KWJBOH/liturgical+color.png Resources - Threading the Needle https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1633713528346-R6ZSHXDEKNDPF6BV1E21/BB_EYE_OF_THE_NEEDLE.jpg Resources - Threading the Needle In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper22-2021 monthly 0.5 2021-10-08 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - A Little Lower than the Angels https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1633023283023-02X7R7NVI47NWHUXV8Q3/1698416_e332f6ad.jpg Resources - A Little Lower than the Angels In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - A Little Lower than the Angels https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1633026111977-NTO2459IR4CJ67KWJBOH/liturgical+color.png Resources - A Little Lower than the Angels https://www.racbellingham.org/resource-blog/proper21-2021 monthly 0.5 2021-09-30 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1628479643844-OREMJHAGC51K38D7BEXA/liturgical+color+%286%29.png Resources - Parade of the Powers https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1632506330113-HTOKLGJT5GZI14BVMO56/the-temptation-of-st-anthony.jpg%21Large.jpg Resources - Parade of the Powers - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1632505801189-UTM8Y3RET6ZEDJU6HD1X/H800c2d9364264f648003762921d6c8d1n.jpg Resources - Parade of the Powers In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Parade of the Powers https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Parade of the Powers https://www.racbellingham.org/resource-blog/proper20-2021 monthly 0.5 2021-09-22 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1631815735564-8K1JDKSVJVOLE7KTLE5B/tumblr_inline_pasfu01SId1qkqzlv_540.png Resources - Finding our Center In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1628479643844-OREMJHAGC51K38D7BEXA/liturgical+color+%286%29.png Resources - Finding our Center https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Finding our Center https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Finding our Center https://www.racbellingham.org/resource-blog/proper19-2021 monthly 0.5 2021-09-13 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Unbinding the Tongue of the Cynic https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1628479643844-OREMJHAGC51K38D7BEXA/liturgical+color+%286%29.png Resources - Unbinding the Tongue of the Cynic https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1631205392672-5MHPCZWVVRFM6B1AFMH3/539844ecea863c36a70bcb8ebee67e13.jpg Resources - Unbinding the Tongue of the Cynic In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Unbinding the Tongue of the Cynic https://www.racbellingham.org/resource-blog/proper18-2021 monthly 0.5 2021-09-12 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - On the Move … https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1630727092583-L7M5KJKWSUKWNR9NIBZ7/The_Healing17.jpg Resources - On the Move … In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - On the Move … https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1628479643844-OREMJHAGC51K38D7BEXA/liturgical+color+%286%29.png Resources - On the Move … https://www.racbellingham.org/resource-blog/proper17-2021 monthly 0.5 2021-09-03 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1630069399129-0JBF8Z8HBZ6G2L641I7S/440px-Charnier_at_Saints_Innocents_Cemetery.jpg Resources - The (Un)Defiled Church - Make it stand out Charniers constructed in the 14th and 15th C around the perimeter of Holy Innocents helped to relieve the pressure of cemetery overcrowding. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1628479643844-OREMJHAGC51K38D7BEXA/liturgical+color+%286%29.png Resources - The (Un)Defiled Church https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1630067369810-OUPQLW8E3007O2A62V3H/DUR_DBM_312-001.jpg Resources - The (Un)Defiled Church In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The (Un)Defiled Church https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1630157505207-LQXFDG10YXCVW6ZNDZ37/Saints_Innocents_1850_by_Hoffbauer.jpg Resources - The (Un)Defiled Church - Make it stand out JH Hoffbauer depicts the open-air market that replaced the church and graveyard, as it stood ca 1850. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The (Un)Defiled Church https://www.racbellingham.org/resource-blog/proper16b-2021 monthly 0.5 2021-08-24 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1629144442519-HK7I6GJ4I9JB67ZGS6DJ/covenant-at-shechem.jpg Resources - The Fools Pledge In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Fools Pledge https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1628479643844-OREMJHAGC51K38D7BEXA/liturgical+color+%286%29.png Resources - The Fools Pledge https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Fools Pledge https://www.racbellingham.org/resource-blog/proper15b-2021 monthly 0.5 2021-08-16 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1628479643844-OREMJHAGC51K38D7BEXA/liturgical+color+%286%29.png Resources - Wisdom’s Feast https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Wisdom’s Feast https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1628867193620-REUTIQSL5DS1KBQNMCJ1/1.png Resources - Wisdom’s Feast - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Wisdom’s Feast https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1628865978370-TNWBG0K8ZS7Z79D3BMKN/premnovdet1.jpg Resources - Wisdom’s Feast - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1628865196384-L1GXL3NMCJZMJXKRTV4Q/premudrostsnovgorod16eeuw.jpg Resources - Wisdom’s Feast In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper143b-2021 monthly 0.5 2021-08-09 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Mortal Bread https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Mortal Bread https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1628304995546-58Y749N3N71JME3MUSWZ/Reteta-coliva.jpg Resources - Mortal Bread In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Mortal Bread https://www.racbellingham.org/resource-blog/proper13b-2021 monthly 0.5 2021-08-01 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Desert Table https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1627265714449-MOVPTOSNBWG6UUQDWWC5/Last-Supper-10.jpg Resources - The Desert Table In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Desert Table https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Desert Table https://www.racbellingham.org/resource-blog/proper12 monthly 0.5 2021-07-26 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - …o’er the tumult https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - …o’er the tumult https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1627096833837-ZBEZL9MV5XAWWXQJLI76/download+%281%29.jfif Resources - …o’er the tumult In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - …o’er the tumult https://www.racbellingham.org/resource-blog/proper11-b2021 monthly 0.5 2021-07-18 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Abundance in the Wilderness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1626401661338-HJ9EAYBYSOJM4C55UCML/5240126639_3595d8e711_o.jpg Resources - Abundance in the Wilderness In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Abundance in the Wilderness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Abundance in the Wilderness https://www.racbellingham.org/resource-blog/proper10-b2021 monthly 0.5 2021-07-16 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1625346670067-ZF2SQ2OZ5QUZ5LDYQSPN/Iisus-3-Mucenici-scaled-540x728.jpg Resources - Apostolic Backstory In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Apostolic Backstory https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Apostolic Backstory https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Apostolic Backstory https://www.racbellingham.org/resource-blog/proper9-b2021 monthly 0.5 2021-07-03 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Perfected in Weakness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Perfected in Weakness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Perfected in Weakness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1625319865098-9SR3OU74KDB29M9LK8NR/Untitled+design.jpg Resources - Perfected in Weakness In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper8 monthly 0.5 2021-06-30 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1624632354976-DV9S7MGVG9HIQXRO1AFD/tumblr_inline_pae4qsks1w1qkqzlv_500.png Resources - Christ of the Poor - Make it stand out Black Crucifixion (1962) https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Christ of the Poor https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1624575285654-5DGWWXONGA3OBQ1QJU9C/26-artwork.jpg Resources - Christ of the Poor In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Christ of the Poor https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Christ of the Poor https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1624632418822-YITT5U78D2QGFIN2ND2L/tumblr_inline_pae4dsouU11qkqzlv_500.png Resources - Christ of the Poor - Make it stand out Christ of the Homeless (1980) https://www.racbellingham.org/resource-blog/proper6-2021-b5jxm monthly 0.5 2021-06-20 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1624027773855-3PRKX14R28LNQ5JW1XCN/rothschild-canticles-98r.jpg Resources - The Peculiar Grandeur of the Gospel In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Peculiar Grandeur of the Gospel https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Peculiar Grandeur of the Gospel https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Peculiar Grandeur of the Gospel https://www.racbellingham.org/resource-blog/proper6-2021 monthly 0.5 2021-06-13 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - Towards the Heavenly Harvest https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Towards the Heavenly Harvest https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Towards the Heavenly Harvest https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1623010090394-BERRF028DJRHHVNRNZ1S/E2s308DWUAE9pWp.jpg Resources - Towards the Heavenly Harvest In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/proper5-2021 monthly 0.5 2021-06-06 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622777176529-5K9WPTQYWN2NJ6PLJLE9/unsplash-image-NQ6Lh81BTRs.jpg Resources - The Surety of Unseen Things https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622778178168-LTEAN5F10K0CLYTSUE24/urbi-et-orbi3.jpg Resources - The Surety of Unseen Things In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Surety of Unseen Things https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - The Surety of Unseen Things https://www.racbellingham.org/resource-blog/trinity-2021 monthly 0.5 2021-06-04 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622049173294-OED86HII1SZCUO07UV6E/sign-of-the-cross.png Resources - Trinity: Source and Summit In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047707750-XL3KS2MD3X0YMWVXF21J/10.png Resources - Trinity: Source and Summit https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622047614118-0MJ6NRSPW8XKKJVCK0KW/liturgical+color+%284%29.png Resources - Trinity: Source and Summit https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1622048947894-45GLVHJH807BPUNVM05C/unsplash-image-vZsoojmXaB4.jpg Resources - Trinity: Source and Summit https://www.racbellingham.org/resource-blog/pentecost-2021 monthly 0.5 2021-05-26 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1621391738133-JOXYI6UHAIWVY1T5YDRP/liturgical+color+%282%29.png Resources - Fire and Light https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1621711912249-8A3UGOBEN40TY5CJH705/2000-3-praising_enl.jpg Resources - Fire and Light In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1621390296078-KJALDFUTQR8QVX2H76PE/unsplash-image-fB6s23tWkT0.jpg Resources - Fire and Light https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1621390723922-JBEBFKPQ2XTIQM7ISF12/liturgical+color+%281%29.png Resources - Fire and Light https://www.racbellingham.org/resource-blog/easter-6b-2021-ndn2x-sls7p monthly 0.5 2021-05-19 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1620940789343-SPVI2YHLYKOKR5G1PQ06/tumblr_inline_oqh8ztvKwG1qkqzlv_500.png Resources - Gone, but not Absent In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1620928171314-WPLBO8RL4NQEG76XLFNZ/liturgical+color.png Resources - Gone, but not Absent https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - Gone, but not Absent https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - Gone, but not Absent https://www.racbellingham.org/resource-blog/ascension-b-2021 monthly 0.5 2021-05-13 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - Jesus Ascends into Heaven! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - Jesus Ascends into Heaven! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1620928171314-WPLBO8RL4NQEG76XLFNZ/liturgical+color.png Resources - Jesus Ascends into Heaven! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1620928279836-1HT6UF8WKXQXM6CDRIVG/tumblr_inline_p8iq3hK4BE1qkqzlv_500.png Resources - Jesus Ascends into Heaven! In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/easter-6b-2021 monthly 0.5 2021-05-11 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - Pour into our hearts … https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1620076443527-HJKCIQK3XQPWO1FU500A/Love-One-Another.jpg Resources - Pour into our hearts … In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - Pour into our hearts … https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - Pour into our hearts … https://www.racbellingham.org/resource-blog/easter-5b-2021 monthly 0.5 2021-05-03 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - The River of God is Full of Water https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1619841734228-LFEO6U2OZPN5D9QYBPJ0/2011_10_EL_CH_Nagornaya_propoved_01_P.jpg Resources - The River of God is Full of Water In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - The River of God is Full of Water https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - The River of God is Full of Water https://www.racbellingham.org/resource-blog/easter-4b-2021 monthly 0.5 2021-04-28 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - The Bucolic Vision https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1619213078169-NUH3VNTLCSZLRSNRF8V7/il_794xN.2525195644_dl39.jpg Resources - The Bucolic Vision In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - The Bucolic Vision https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - The Bucolic Vision https://www.racbellingham.org/resource-blog/easter-3b-2021 monthly 0.5 2021-04-19 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - Incredulous with Joy https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1618685388938-OOCI269ITRAOYRRT21TA/440px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg Resources - Incredulous with Joy In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - Incredulous with Joy https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - Incredulous with Joy https://www.racbellingham.org/resource-blog/easter-2b-2021 monthly 0.5 2021-04-15 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - Intimacy & Doubt https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891365150-8E3PB9O3VRSEVTTG3BV2/liturgical+color_+%2825%29.png Resources - Intimacy & Doubt https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891890201-NNEUH8PJM4089P3EALGU/fr-abdo_badwi31.jpg Resources - Intimacy & Doubt In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617891463359-WJSRMTG7GRW6CE9M0AK9/liturgical+color_+%2826%29.png Resources - Intimacy & Doubt https://www.racbellingham.org/resource-blog/len-4b-2021-7e354-j7bcw-5xskl monthly 0.5 2021-04-07 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617505937017-3ZF42N7KXL8O6MC886Q2/Rembrandt_van_Rijn_178.jpg Resources - The Tomb is Empty! In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617506305987-HE267WAILOBDZV54OJFQ/unsplash-image-94qPvR72FWk.jpg Resources - The Tomb is Empty! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617505844775-OXN4N92OU0KUO1WGAI44/liturgical+color_+%2824%29.png Resources - The Tomb is Empty! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617505844775-OXN4N92OU0KUO1WGAI44/liturgical+color_+%2824%29.png Resources - The Tomb is Empty! https://www.racbellingham.org/resource-blog/len-4b-2021-7e354-j7bcw monthly 0.5 2021-04-04 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1616853197500-MGJPTAX8RP3Z2X0ZRNXB/liturgical+color_+%2823%29.png Resources - Triumphal Entry https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1616852801311-FPRRTC0E6WHASMS4299W/7212816720_e13d8efdbc_b.jpg Resources - Triumphal Entry https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1616853172309-5IZ9AFPUXUU670UIHWO4/liturgical+color_+%2823%29.png Resources - Triumphal Entry https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1616687842438-F3OFUP89JEUTBTGAN8OS/simpson-nathan_jesus-entering-jerusalem.jpg Resources - Triumphal Entry In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/len-4b-2021-7e354 monthly 0.5 2021-03-25 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689414200-9M09EJH4H2LY85HFEVEA/image.jpg Resources - The Days are Coming … https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1615907622151-R0VHD48CIQVEHP2F1M1E/LWLNP.jpg Resources - The Days are Coming … In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - The Days are Coming … https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - The Days are Coming … https://www.racbellingham.org/resource-blog/len-4b-2021 monthly 0.5 2021-03-14 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1615414122270-SQ8UBRFV700UPOE43LD6/bread-fresco-cropped1.jpg Resources - Refreshment in the Wilderness In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689414200-9M09EJH4H2LY85HFEVEA/image.jpg Resources - Refreshment in the Wilderness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Refreshment in the Wilderness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Refreshment in the Wilderness https://www.racbellingham.org/resource-blog/5gesima-b-2021-cptnx-shszr-w75ca monthly 0.5 2021-03-08 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689414200-9M09EJH4H2LY85HFEVEA/image.jpg Resources - Fascinated by the Law https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1614972050674-NVFL3MJ0ERLLPMKGVF0A/contemporary-biblical-art-moses-00.jpg Resources - Fascinated by the Law In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Fascinated by the Law https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Fascinated by the Law https://www.racbellingham.org/resource-blog/5gesima-b-2021-cptnx-shszr monthly 0.5 2021-03-05 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689414200-9M09EJH4H2LY85HFEVEA/image.jpg Resources - Foreshadowing the Cross https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Foreshadowing the Cross https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1614401796076-QUU6L9YGHLCW1PY3FMA9/VP_040318.jpg Resources - Foreshadowing the Cross In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Foreshadowing the Cross https://www.racbellingham.org/resource-blog/5gesima-b-2021-cptnx monthly 0.5 2021-02-27 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Temptation of the Wilderness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689167095-E8P8XE93IBRE4P8MWCLK/liturgical+color_+%2822%29.png Resources - Temptation of the Wilderness https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613854331002-AMP8VYSV0XYNY7IGJZCI/tumblr_3a2df9a12d4131eaf36e5121bb7bcadf_50b34f23_500.jpg Resources - Temptation of the Wilderness In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613689414200-9M09EJH4H2LY85HFEVEA/image.jpg Resources - Temptation of the Wilderness https://www.racbellingham.org/resource-blog/5gesima-b-2021 monthly 0.5 2021-02-18 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1613187117545-QXOOD67T7C99TB0NW1X4/tumblr_inline_o25t2g0mrk1qkqzlv_500.jpg Resources - Quinquigesima In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1611988455425-KSC02BK522T2I5800XZ7/liturgical+color_+%2821%29.png Resources - Quinquigesima https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1611987883864-DYGBPIMR7YWRIOSY03HU/image.jpg Resources - Quinquigesima https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1611987696519-27GFJHTJ79HR4YLSCKZ0/liturgical+color_+%2821%29.png Resources - Quinquigesima https://www.racbellingham.org/resource-blog/7gesima-b-2021-3zpaf monthly 0.5 2021-02-08 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1611987883864-DYGBPIMR7YWRIOSY03HU/image.jpg Resources - Sexigesima https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1611988455425-KSC02BK522T2I5800XZ7/liturgical+color_+%2821%29.png Resources - Sexigesima https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1611987696519-27GFJHTJ79HR4YLSCKZ0/liturgical+color_+%2821%29.png Resources - Sexigesima https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1612649218895-Z0W8M2B3QYQLMYWAKZVS/53eb57536ab282eae3e0c867485633af.jpg Resources - Sexigesima In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/7gesima-b-2021 monthly 0.5 2021-02-04 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1611987696519-27GFJHTJ79HR4YLSCKZ0/liturgical+color_+%2821%29.png Resources - Septuagesima https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1611988455425-KSC02BK522T2I5800XZ7/liturgical+color_+%2821%29.png Resources - Septuagesima https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1611987883864-DYGBPIMR7YWRIOSY03HU/image.jpg Resources - Septuagesima https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1611988326115-H7A0GN4NAHGASI0NN4LC/EP-304019780.jpg Resources - Septuagesima In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/3rd-epiphany-b-2020 monthly 0.5 2021-01-30 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610837136855-ATHGXXO8UB3FZ1F3O63H/liturgical+color_+%2820%29.png Resources - Third Sunday of Epiphany https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1611382460854-28YGY1ZZF6FJQOZUO4R3/2560px-Bete_Giyorgis_01.jpg Resources - Third Sunday of Epiphany In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835289613-UMLQCZLZBXE7KUC4NSAP/image.jpg Resources - Third Sunday of Epiphany https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835328278-C6UUE0GC02JOU6LYEHQI/liturgical+color_+%2820%29.png Resources - Third Sunday of Epiphany https://www.racbellingham.org/resource-blog/2nd-epiph monthly 0.5 2021-01-23 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610837136855-ATHGXXO8UB3FZ1F3O63H/liturgical+color_+%2820%29.png Resources - Second Sunday of Epiphany https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610834516548-LAMOPK8S5J5RQFKB1YF3/unnamed.jpg Resources - Second Sunday of Epiphany In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835328278-C6UUE0GC02JOU6LYEHQI/liturgical+color_+%2820%29.png Resources - Second Sunday of Epiphany https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610835289613-UMLQCZLZBXE7KUC4NSAP/image.jpg Resources - Second Sunday of Epiphany https://www.racbellingham.org/resource-blog/bapjesus-2020b monthly 0.5 2021-01-16 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610230872738-D8FBBCRR5N5RZ9AJGUA9/liturgical+color_+%2817%29.png Resources - Baptism of our Lord https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610231069991-0XV6OPB8JTHTB79XO0YD/epiphany-1.jpg Resources - Baptism of our Lord In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610230872738-D8FBBCRR5N5RZ9AJGUA9/liturgical+color_+%2817%29.png Resources - Baptism of our Lord https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1610233515214-NW7IC8AN35289LVNCBA7/theofania-0004.jpg Resources - Baptism of our Lord https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - Baptism of our Lord https://www.racbellingham.org/resource-blog/xmas-2b-2021 monthly 0.5 2021-12-31 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - Joy in Abundance https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - Joy in Abundance https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - Joy in Abundance https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/63bc6bb9-9cf3-41c4-addf-fa6e24265f3a/Anna-Makac-3.jpg Resources - Joy in Abundance In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://www.racbellingham.org/resource-blog/advent-1b-6rm6s-e764s-ghfpe monthly 0.5 2021-01-09 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609017392062-UKXI0AVNSK2H5CRO1P0D/image.jpg Resources - Sunday of Nativity https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1608995816382-OLY15YLF6EXL7QNPVX1X/movchan-danylo_nativity2.jpg Resources - Sunday of Nativity In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - Sunday of Nativity https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609018098772-KY2L8GYVB955Y8QOU99U/liturgical+color_+%2813%29.png Resources - Sunday of Nativity https://www.racbellingham.org/resource-blog/naw81g5fcpt80nmu81lss11ii65xt5 monthly 0.5 2020-12-27 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609102599636-KQN58YMW8AV2JM9YNJOR/liturgical+color_+%2815%29.png Resources - On Christmastide https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1609102150799-R2GOAU1GJG3F7R4CZ4Q9/12_Days_of_Christmas.jpg Resources - On Christmastide https://www.racbellingham.org/resource-blog/advent-1b-6rm6s-e764s monthly 0.5 2021-12-12 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1608351155484-TDMZFM13CYXLGQ9QL9HK/d41671baa92c85175fb9c862ac6eaaee.jpg Resources - The Fourth Sunday of Advent https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1608346738852-IZV3FVHV4QASNF98HLJB/liturgical+color_+%2812%29.png Resources - The Fourth Sunday of Advent https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607053061766-W6RY1OHDUL0OQK93QAVH/image.jpg Resources - The Fourth Sunday of Advent https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1608348719635-HI9OSPYV4Q68FGWZ30R6/shadyside-pulpit.jpg Resources - The Fourth Sunday of Advent In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1608346762217-BP1EABYV6GJZWLKN8KYY/liturgical+color_+%286%29.png Resources - The Fourth Sunday of Advent https://www.racbellingham.org/resource-blog/advent-1b-6rm6s-blxgl monthly 0.5 2021-12-11 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607056710271-SLB60KO89MVPDCRIPAJV/liturgical+color_+%289%29.png Resources - The Third Sunday of Advent https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607056876915-P677I1X248JGRXO4PZ3P/image.jpg Resources - The Third Sunday of Advent https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607058358728-O6MGVKCH0OJZ5WUT76MH/04a5494bf71175b0308343b26e6a1e1e_w600.jpg Resources - The Third Sunday of Advent In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607056710271-SLB60KO89MVPDCRIPAJV/liturgical+color_+%289%29.png Resources - The Third Sunday of Advent https://www.racbellingham.org/resource-blog/advent-1b-6rm6s monthly 0.5 2020-12-05 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607053061766-W6RY1OHDUL0OQK93QAVH/image.jpg Resources - The Second Sunday of Advent https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607050296386-IAOIEMREQFFVLRUMS6K3/shadyside-pulpit.jpg Resources - The Second Sunday of Advent In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607050242430-CEO76OK9EEBZ1KCPMYFG/liturgical+color_+%286%29.png Resources - The Second Sunday of Advent https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607051142108-PYNJKFFHILIUY7X9U7L5/505px-Gibside_Chapel_interior_2018_-_pulpit.jpg Resources - The Second Sunday of Advent https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1607050242430-CEO76OK9EEBZ1KCPMYFG/liturgical+color_+%286%29.png Resources - The Second Sunday of Advent https://www.racbellingham.org/resource-blog/st-andrew-2020 monthly 0.5 2020-11-21 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605885258260-7YOK2YX1M8YPVRIGASEH/1622688.jpg Resources - The Feast of St. Andrew, the First Called A modern and highly geometrical depiction of the calling of Peter and Andrew, this painting also departs from the classical iconography by preferencing a cool color palette of earthy browns and watery blues over the heavenly warmth of gold and ochre. The artist, Jorge Coco Santangelo, is an Argentinian Mormon, and this image was featured in 2015 at the LDS Church History Museum’s 10th Annual International Art Competition, Tell Me the Stories of Jesus. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605894017751-KP4R4QAFOZ0P628MRA30/39213619_844287929100662_644130324283916288_n.jpg Resources - The Feast of St. Andrew, the First Called Canadian artist Harrison Prozenko applies a Coptic iconographical style in a contemporary, confessional Lutheran context. Incorporating the saltire St Andrew’s Cross in blue, he alludes to the strong currents of devotion to Andrew in Scotland, whose flag consists of a white saltire on a blue field. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605889591581-YR8BNI8J384V7D5WK418/the_calling_of_the_apostles_peter_and_andrew_1939.1.141.jpg Resources - The Feast of St. Andrew, the First Called A “classic” representation of the call of Peter and Andrew, this is an early 14th C depiction in tempura by Duccio di Buoninsegna, stewarded by the National Gallery of Art. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605927704131-4JLV1V5EPBP9820M9J6X/liturgical+color_+%281%29.png Resources - The Feast of St. Andrew, the First Called https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605889926795-3PH0KWTK19PUIRY9NCDW/calling-ddisciples-he-qi-2001.jpg Resources - The Feast of St. Andrew, the First Called Like the Santangelo, China-born artist He Qi’s Calling of the Disciples is highly geometrical, although Qi takes more liberties with his subject, and the whole episode is significantly more abstract and symbolic. This is typical of Qi’s style. Interestingly, although Qi clearly is not using the classical images of the calling as a porotype, he chose a warm color scheme for the scene. This is not a foregone conclusion, as other of his paintings do major in the cooler blues and greens. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605927704131-4JLV1V5EPBP9820M9J6X/liturgical+color_+%281%29.png Resources - The Feast of St. Andrew, the First Called https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605889897268-23EKKUIFFOLRKV97U9NL/Fred_Rodger_31x23_The_Calling_of_Peter_and_Andrew_Acrylic_on_Wood_-1024x742.jpg Resources - The Feast of St. Andrew, the First Called Lancaster-based artist Fred Roger may have had Buoninsegna’s template in mind when crafting this playful modern interpretation. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605884059740-YZ9P35MG5BNQWU0X5OLV/andrewSanVitale.smal.jpg Resources - The Feast of St. Andrew, the First Called - St. Andrew detail from the Triumphal Arch mosaic at San Vitale, Ravenna See the full arch This 6th C depiction is “classic Andrew:” perhaps because his name means “manly,” he is often depicted with wild hair in the earliest renderings. Another explanation is prhaps Andrew became especially associated with Jesus’s saying that, “Not a hair on your head shall perish.” (Luke 21:18). https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605885326666-RJ6S8X5C61MAAQEYYRM4/the-martyrdom-of-st-andrew-1682.jpg%21Large.jpg Resources - The Feast of St. Andrew, the First Called Bartolome Esteban Murillo’s The Martyrdom of St. Andrew (c 1675). Museo del Prado, Madrid, Spain. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605894073413-2H75MPK48XZ4PYHQAIE1/Screenshot%252B2020-11-20%252B064733.jpg Resources - The Feast of St. Andrew, the First Called Isaac Iniguez makes fun, cartooned versions of saints wearing hoodies — which, of course, can be a little more “on the nose” in their symbolism than their traditional counterparts. https://www.racbellingham.org/resource-blog/advent-1b monthly 0.5 2020-11-30 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605934482383-12UJBQPS09V1ZZUUKI9R/liturgical+color_+%284%29.png Resources - The First Sunday of Advent https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605934482383-12UJBQPS09V1ZZUUKI9R/liturgical+color_+%284%29.png Resources - The First Sunday of Advent https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605934972086-C0XP3HLW97WVQMPSKBWD/Photo-May-31-9-57-55-AM.jpg Resources - The First Sunday of Advent In a rich interpretive move, the prolific exegetical artist Chris Powers elides the “rending of the heavens” named in Isaiah 62:1 into the “tearing of the veil of the Temple” at Jesus’s death (ie Mark 15:38). Certainly, the rupture of the heavenly veil opened by Christ’s sacrifice on the Cross has the character of a response to the prophet’s plea, but to collapse the whole to the crucifixion misses three important ruptures: the Incarnation, the experience of revelation, and apocalyptic judgement. While these two dimensions are present in the Crucifixion, they importantly retain a color and character unique to their phenomenological qualities. Yet the image of rupture speaks beautifully to the unspeakable yearning we have for that day, when the work that God had done in Christ reaches its full manifestation in our lives, experience, and history. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605942082112-1SIIHXWI5VY2VUPLHOGQ/967a54cf28756f2b934135202ad93536.jpg Resources - The First Sunday of Advent https://www.racbellingham.org/resource-blog/ctk-2020 monthly 0.5 2020-11-22 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605927831237-YT1PTAWP2A8H8XIQOP2T/liturgical+color_+%282%29.png Resources - The Feast of Christ the King https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605461372947-P15IVYPWMMLIZR8PUH42/1140619-QHRKVKWH-32.jpg Resources - The Feast of Christ the King This depiction of Cristo Ray (Christ the King) from the contemporary Columbian artist Fernando Jaramillo seems especially well-suited to represent the Kingship of Christ 2020. Christ is unambiguously the center of focus an attention, and yet, the surrounding chaos is so full that he is almost receding off into oblivion. He stands above the chaos, and the chaos swirls around him, and all of the pieces seem to have something to do with him — some kind of geometric or thematic or spatial relationship — but there’s simply so much going on it’s hard to take it all in. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605927831237-YT1PTAWP2A8H8XIQOP2T/liturgical+color_+%282%29.png Resources - The Feast of Christ the King https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605468319725-6NGJMLCC1Q610JOBCDSZ/VP_050918.jpg Resources - The Feast of Christ the King https://www.racbellingham.org/resource-blog/ot24a-kt monthly 0.5 2020-11-22 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605468319725-6NGJMLCC1Q610JOBCDSZ/VP_050918.jpg Resources - Hidden Talents https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1606019129570-DLOPAROCPYA5RCSMKA58/0b9fcd3c-1ebe-42d7-8e25-e4d4a7e9636b.jpg Resources - Hidden Talents The German-Serbian iconographer Nikola Saric's depiction of the Parable of the Talents appears in his collection of Earthly Stories with Heavenly Meanings. I am struck that, as much as the offerings are what differentiates the characters as "in the light" and "near the Lord," how small these offerings are relative to the whole frame of the action: indeed, the offering is but the fruit of the posture. Those in the light look with intense concern, with hands gently extended; the one in the darkness looks defensive, almost angry, and his hands distracting and deflecting. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605929910755-0RDTWG5PT4HL1B35TZIF/liturgical+color_+%283%29.png Resources - Hidden Talents https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605929910755-0RDTWG5PT4HL1B35TZIF/liturgical+color_+%283%29.png Resources - Hidden Talents https://www.racbellingham.org/resource-blog/ot23a-kt monthly 0.5 2020-11-22 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605468319725-6NGJMLCC1Q610JOBCDSZ/VP_050918.jpg Resources - The Bridegroom Comes https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605929910755-0RDTWG5PT4HL1B35TZIF/liturgical+color_+%283%29.png Resources - The Bridegroom Comes https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1606026387273-PTVCL4N0GZPHTQWBT86N/4ac7060a-7b82-4b5e-b3b7-c90520c03b61.jpeg Resources - The Bridegroom Comes Painted just before the turn of the 20th C, the Greek artist Nikolaos Gyzis's depiction of the Bridegroom's coming (Ιδού ο Νυμφίος έρχεται) stands visually between the iconographic style of his native Orthodox Church, and a continental Romantic style almost reminiscent of Blake, and unlike his characteristic Munich school. Curiously, though the "bridegroom comes" according to the title of the image, it is difficult to identify where the presence of the bridegroom is located. Certainly, the angelic figures are arrayed to receive him: could he be the Divine figure sitting on the throne? Or the angelic figure descending from the top of the frame? The image's subtly enigmatic character invites and rewards contemplation. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605929910755-0RDTWG5PT4HL1B35TZIF/liturgical+color_+%283%29.png Resources - The Bridegroom Comes https://www.racbellingham.org/resource-blog/times-of-tumult-and-of-turning monthly 0.5 2020-11-23 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605929910755-0RDTWG5PT4HL1B35TZIF/liturgical+color_+%283%29.png Resources - Times of Tumult and of Turning https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605929910755-0RDTWG5PT4HL1B35TZIF/liturgical+color_+%283%29.png Resources - Times of Tumult and of Turning https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1606069696484-046BLD2CINNW8L1SV1R2/T-01327-OL.jpg Resources - Times of Tumult and of Turning Elizabeth Wang’s depiction of Christ among us, distinguished by an interior light, not exterior signifiers. https://www.racbellingham.org/resource-blog/advent-kingdomtide monthly 0.5 2020-11-22 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605990231771-O1FSD7ESM98SNO7JE9YB/Second-coming-5588150284_20fcdccf65_b.jpg Resources - Introducing Kingdomtide and Advent Adam Kirk, Jesus Returns https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605985167301-05WNVN0TTM6Z5OJ2A4VP/liturgical+color_+%285%29.png Resources - Introducing Kingdomtide and Advent https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605989055696-CNP75JF1VOF3BKE6DXQF/Untitled+design+%285%29.png Resources - Introducing Kingdomtide and Advent https://www.racbellingham.org/resource-blog/category/Feasts monthly 0.5 https://www.racbellingham.org/resource-blog/category/Lectionary+Reflections monthly 0.5 https://www.racbellingham.org/resource-blog/category/Holy+Days monthly 0.5 https://www.racbellingham.org/resource-blog/category/Redeeming+the+Times monthly 0.5 https://www.racbellingham.org/resource-blog/category/Saints monthly 0.5 https://www.racbellingham.org/resource-blog/category/Advent monthly 0.5 https://www.racbellingham.org/resource-blog/category/Seasons monthly 0.5 https://www.racbellingham.org/resource-blog/category/Kingdomtide monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Easter monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Pentecost monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Ascension monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Civil+Holidays monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Trinity monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Epiphanytide monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Holy+Week monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Eastertide monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Feast monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Kingdomtide monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Saints+of+Local+Significance monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Liturgical+Time monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Lectionary+Reflections monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Christmastide monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Jesus monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Advent monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Seasons monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Lent monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Apostle monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Church+Year monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Microseasons monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Saint monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Martyr monthly 0.5 https://www.racbellingham.org/resource-blog/tag/Gesimatide monthly 0.5 https://www.racbellingham.org/stories daily 0.75 2023-03-28 https://www.racbellingham.org/stories/holy-week-2023 monthly 0.5 2023-03-28 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/e92df62f-7f45-48da-b563-46187583bec1/Holy+Week+2023.png Stories - Holy Week, 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1648746496024-I9EZHQD0CTCCXJ5WHF5B/unsplash-image-aW4lHUNO9tI.jpg Stories - Holy Week, 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.racbellingham.org/stories/keeping-a-good-holy-week monthly 0.5 2023-03-28 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/9d59e07d-b35b-46d5-b2e7-e3b3f65800c6/Holy+Week+2022+%2811+%C3%97+5.222+in%29.png Stories - Keeping a Good Holy Week - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1648746496024-I9EZHQD0CTCCXJ5WHF5B/unsplash-image-aW4lHUNO9tI.jpg Stories - Keeping a Good Holy Week - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.racbellingham.org/stories/global-missions-reflection monthly 0.5 2022-03-21 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/353a0b9f-f587-43b9-8e55-fedf17eb9f10/PXL_20220317_010721242.MP.jpg Stories - Engaging Global Missions - Make it stand out AGMP representatives pray over the nations of the world, and our many connections across the globe. https://www.racbellingham.org/stories/three-church-ash-wednesday-service monthly 0.5 2022-03-12 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1647093288894-5UA8DDT1JNZKOJSSBMRU/IMG_3464.jpg Stories - Three Church Ash Wednesday Service https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1647093173358-2SITN8XXQRELMWX6IWLF/PXL_20220303_022456514.jpg Stories - Three Church Ash Wednesday Service https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1647093289578-3AJL414K1B1OY2CL211C/IMG_3465.jpg Stories - Three Church Ash Wednesday Service https://www.racbellingham.org/stories/new-worship-space-4xkh6 monthly 0.5 2022-03-12 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/51d3fb43-b388-446c-bddb-4b05252aba30/FaceMask7729.png Stories - Congregational Singing Added; Updated COVID Policies - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.racbellingham.org/stories/new-worship-space monthly 0.5 2022-01-10 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1630435371465-KQ18ZQ32FJ3JV0VFJU7F/PXL_20210830_202209052.jpg Stories - New Worship Space! - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1630689749269-CAL25VIVP67Q3XROHY5Z/PXL_20210902_195634746.jpg Stories - New Worship Space! - Make it stand out Look for the signs! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1630270755894-K4GD1NAH6BKQGV5OCJX7/Screenshot+2021-08-29+134650.jpg Stories - New Worship Space! - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.racbellingham.org/stories/covidtide-gathered-worship monthly 0.5 2021-05-23 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1617969255037-RTHFVI04UQB9GUKEWXLQ/PXL_20210314_183747632.MP.jpg Stories - Opportunities for Gathered Worship https://www.racbellingham.org/stories/becoming-rac monthly 0.5 2022-09-16 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605795434908-W1EQTB7JPZ2PKQ6PCIM1/122295209_10100352379570611_5774520115485856259_n.jpg Stories - How we became Reconciliation Anglican Church Fr. Nathaniel leads the brainstorming session that identified Reconciliation Anglican Church as a top contender for our name moving forward. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1606140020208-158GJK4W3KKYQM1J4I43/God+shows+his+love+for+us+in+that+while+we+were+still+sinners%2C+Christ+died+for+us.+Since%2C+therefore%2C+we+have+now+been+justified+by+his+blood%2C+much+more+shall+we+be+saved+by+him+from+the+wrath+of+God.+For+if+while+we++%282%29.png Stories - How we became Reconciliation Anglican Church https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605641225380-Y7GA6WQHXWXGYJ4SAZOI/31.jpg Stories - How we became Reconciliation Anglican Church - What we proclaim is not ourselves, but Jesus Christ as Lord, with us as your servants for Christ’s sake. Art by contemporary Ukrainian artist, Alexander Antonyuk https://www.racbellingham.org/stories/restless-church monthly 0.5 2020-11-17 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605635529546-GIELTD4ZDSYP8P3CN2H6/download.jpg Stories - The Restless Church in a Divided World - IT IS IMPOSSIBLE to miss the poignancy of this moment. The world is on fire, and the Spirit is stirring the Church. How should the Christian respond to protest and social unrest of the type we’ve seen unfolding in our world, and that is likely only to increase in the coming days and weeks and months? How are we responding as a church community? https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605636670604-FH5A7ZTYKIG7EMD2OP64/117676111_10156440048854229_442607561537278737_n.jpg Stories - The Restless Church in a Divided World - At Reconciliation Anglican Church, we have sensed the leading of the Spirit to emphasize Jesus’s call to peace, justice, and reconciliation. We have allowed this moment to become baked into our DNA: to give us shape and direction, that we may not have otherwise chosen for ourselves. https://www.racbellingham.org/stories/pandemic-policy monthly 0.5 2020-11-17 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605489783757-743T36XWWM56TF8FGPV3/image-asset.jpeg Stories - Weathering the Pandemic with RAC https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605495898842-DPQPV4ZY2RXNSXE9KF1H/image-asset.jpeg Stories - Weathering the Pandemic with RAC - A Prayer for Spiritual Communion Dear Jesus, I believe that you are truly present in the Holy Sacrament. I love you above all things, and I desire to possess you within my soul. And since I cannot now receive you sacramentally, I beseech you to come spiritually into my heart. I unite myself to you, together with all your faithful people gathered around every altar of your Church, and I embrace you with all the affections of my soul. Never permit me to be separated from you. https://www.racbellingham.org/stories/origin-story monthly 0.5 2020-11-19 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605765874630-FW11YMCAD6SCZZKINXHD/CU_TRIC_P_47-001.jpg Stories - Origin Story: AD 0595-2018 From Thomas Cranmer’s Insta ca 1550 — painting of G. Flicke at Trinity College, Cambridge. He was sporting wicked beard when Queen Mary martyred him in Oxford in 1556. You can see it just coming in in this shot. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605759911015-7WKI5Y6EAIALC2T38UEU/image-asset.jpeg Stories - Origin Story: AD 0595-2018 The High Cross at Monasterboice represents the independent and distinctive aesthetic culture of Christianity in the British Isles. Although a erected in the 9th-10th C, the monastic settlement dates to the early 6th C — nearly a full century before Augustine landed on the English shores. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605804547446-G3ICWVDW03AQSF0QP1VG/Screen-Shot-2018-04-20-at-13.38.45.png Stories - Origin Story: AD 0595-2018 A prime specimen of Indo-Gothic architecture, the Cathedral Church of the Resurrection in Lahore, Pakistan stands a typical monument to the ambiguity of Anglican colonialism: on the one hand, a beautiful work of cultural fusion: on the other, an ostentatious display of power and wealth misbegotten by imperial enterprise. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605800233633-07YUZJKZXWFJ5DUENLRE/IMG-20191125-WA0001+%281%29.jpg Stories - Origin Story: AD 0595-2018 Bishop Azad Marshall the Bishop of Raiwind and President of the National Council of Churches in Pakistan — sometime Bishop of Iran and the Persian Gulf — worships with Archbishop Foley Beach, Primate of the Anglican Church in North America and Chair of the GAFCON Primates Council. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605755662287-1MEJYDDERUMQFJQQBSBF/1_KQKWGqCJAQjUKptKBWbvuQ.jpeg Stories - Origin Story: AD 0595-2018 Stained glass depicts Gregory the Great (haloed) encountering the English children at market. https://www.racbellingham.org/stories/category/COVID-19 monthly 0.5 https://www.racbellingham.org/stories/category/News monthly 0.5 https://www.racbellingham.org/stories/category/Reconciliation monthly 0.5 https://www.racbellingham.org/stories/category/Engaging+our+Times monthly 0.5 https://www.racbellingham.org/stories/category/About+Us monthly 0.5 https://www.racbellingham.org/stories/tag/COVID-19 monthly 0.5 https://www.racbellingham.org/stories/tag/global+relationships monthly 0.5 https://www.racbellingham.org/stories/tag/mission monthly 0.5 https://www.racbellingham.org/stories/tag/Community+Life monthly 0.5 https://www.racbellingham.org/stories/tag/Communion monthly 0.5 https://www.racbellingham.org/stories/tag/identity monthly 0.5 https://www.racbellingham.org/stories/tag/News monthly 0.5 https://www.racbellingham.org/stories/tag/Values monthly 0.5 https://www.racbellingham.org/stories/tag/Process monthly 0.5 https://www.racbellingham.org/stories/tag/Mission monthly 0.5 https://www.racbellingham.org/stories/tag/origin+story monthly 0.5 https://www.racbellingham.org/stories/tag/Name monthly 0.5 https://www.racbellingham.org/events daily 0.75 2025-04-17 https://www.racbellingham.org/events/holy-saturday-easter-vigil monthly 0.5 2025-04-02 https://www.racbellingham.org/events/good-friday-service monthly 0.5 2025-04-02 https://www.racbellingham.org/events/palm-sunday monthly 0.5 2025-04-02 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/5a7bdfad-aaa8-41a8-b6f8-b049de3aa909/IMG_3855.jpg Events - Palm Sunday - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.racbellingham.org/events/diocesan-synod monthly 0.5 2024-12-19 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/ad5771cf-dc63-4fc8-9c11-ea491c9f40c2/download+%281%29.png Events - Diocesan Synod - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.racbellingham.org/events/ash-wenesday monthly 0.5 2025-03-04 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/af7e956d-08b7-4e97-ad89-5df400e98fa1/PXL_20230223_020945096.MP.jpg Events - Ash Wednesday - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.racbellingham.org/events/shrove-tuesday monthly 0.5 2025-03-04 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/d69d8172-0726-414a-ac76-0d164aaba2bc/IMG_8202.jpg Events - Pancakes and Repentance - Make it stand out "Join us for our Annual Shrove Tuesday Event — a delightful evening of Pancakes and Repentance! Celebrate this meaningful tradition with a delicious pancake supper and a time of fellowship as we prepare our hearts for the Lenten season. It’s a family-friendly event filled with good food, great company, and a chance to reflect and reset before the journey of Lent begins. All are welcome — bring your appetite and your spirit of reflection!" https://www.racbellingham.org/events/christmas-eve monthly 0.5 2024-12-19 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1734566148184-HU152A48RYKI7SD0S728/Untitled+design+%281%29.png Events - Christmas Eve Service - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.racbellingham.org/home daily 1.0 2025-04-10 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605486208718-W02M3JFK7TE4B1Y73WLH/scaled%3DWordmarkLightColorAsset+17.png https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/98618a78-ee9b-49f7-be86-0f25409f4724/IMG_4318.JPG https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/64436d0f-d13a-40b5-a963-a1031d9642f1/PXL_20230407_003158351.jpg https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/576d98ee-8d95-4dd5-9f46-9148046a2caf/IMG_2707.jpg https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/32e36179-8870-4bc4-b29f-f574a315a23c/IMG_20230312_110422%7E2.jpg https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/28690724-d4bf-47e4-9eb4-7dcfdc2ec247/IMG_3459.jpg https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605240667226-VPS15TJI2GIYZRF0DA49/06b.jpg Home https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605239660769-7NLJU4AUASI7JSAKV94R/88177382_10100284699008001_8030315548925493248_n.jpg Home https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605239766170-X5SZX9D99BPMTIT4EEAN/88996208_10156640214401901_21153371062796288_o.jpg Home https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605241243479-AFZ7CF1XBB0CS42F4QXR/Copy+of+Copy+of+Copy+of+Reconciliation.png Home https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605239625028-667B1J1U89ZAB84QVK8M/10505131_774815686291_6336138496465433974_o.jpg Home https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605239570272-ZAJ07S5JOHYRM9QISYCM/892214_689443657521_1329772474_o.jpg Home https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605239760887-KK2HA6ZPWH1NEK5RSDLC/117676111_10156440048854229_442607561537278737_n.jpg Home https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605241455576-QK0GK855YFJV77MFH6LF/Angelos-Akotantos-Embracing-PP-late-15th-509x400.jpg Home https://www.racbellingham.org/cdhome daily 0.75 2020-11-15 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605407752431-T8MBG4FE4LBH7O2WDJEA/2.png CD-Home STEWARDSHIP: Our personal and community resources are effectively and transparently aligned with the priorities of the Kingdom as we know and discern them in our common life. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605407752431-4ZUUH6M407ZG5O7M1TBX/3.png CD-Home ADMINISTRATION: Our shared life and common goals are effectively managed so as to set members of our community free to live into the particularities of their vocation. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605407753502-OI9DEKGDBH00SA50G0H3/7.png CD-Home FORMATION: . https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605407752432-JLOR68BS7WTQS6QWT3BI/4.png CD-Home ENGAGEMENT: Nourished by the Sacraments and upheld by the family of faith, we support one another in interpreting and deepening our personal experience of mission in our everyday lives. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605407753559-LLY6IXFE9LW4B3UI6UUC/8.png CD-Home WORSHIP: . https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605407753512-AY8FFHK57LST48FIAY8L/9.png CD-Home CARE: . https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605407752359-OYTIQ3TIDYLNLOOQ7GFE/6.png CD-Home LEADERSHIP: .. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605407752509-79NY3ZF0LTBCNC2HK3JH/1.png CD-Home STRATEGY: Working with diverse, representative leadership, we ensure that our common life remains rooted in our core values and directed by our mission and vision. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605407752430-6LMOL2QNOWJBM2CHQ5G6/5.png CD-Home CONNECTION: …. https://www.racbellingham.org/resources daily 0.75 2021-04-09 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605455395668-XT4VBVGDO686SLKCB5TI/7.jpg Resources - Lectionary Reflections Ruminations on our Sunday Scriptures, illuminated by diverse selections of art, music, and prayer that draw from the rich heritage of Christian life and worship. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605455424461-D6RDPG3PYDWL8ABOA82L/13456_1_25.jpg Resources - Saints and Feasts Stories that ground us, that inspire us, that shape our memory and inform our rhythms as the people of God connected throughout time and around the world. https://www.racbellingham.org/about-anglicanism daily 0.75 2020-11-16 https://www.racbellingham.org/book-of-common-prayer daily 0.75 2020-11-17 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605574049699-N59GL9CI5SZTZ433EQOV/jacobs.jpg About the BCP - Alan Jacobs, The Book of Common Prayer: A Biography Jacob’s narrative looks beyond the formation of the Book of Common Prayer itself to its relationships to systems of power, and its impact on our culture and imagination in the English-speaking world. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605574185391-X04594FGFKXD1SYD54RW/51WauJthI%2BL._SX336_BO1%2C204%2C203%2C200_.jpg About the BCP - The Oxford Guide to the Book of Common Prayer: A Worldwide Survey This collection of essays talks about the impact and adaptation of the prayer book tradition throughout the Anglican Communion around the world. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605583650516-BNY99Z8C83UWIL3L1LC7/8122ab911c52a4bdfb07f1d3c410a4c2-g.jpg About the BCP - The Book of Common Prayer: Past, Present, and Future Celebrating the 350th anniversary of the Book of Common Prayer, this collection represents a broad reaching, but England-centric survey. https://www.racbellingham.org/kingdomtide-and-advent daily 0.75 2020-11-22 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605985167301-05WNVN0TTM6Z5OJ2A4VP/liturgical+color_+%285%29.png Kingdomtide and Advent https://www.racbellingham.org/worship-archive daily 0.75 2021-02-08 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605417374673-BM62U7WB5EOJB6DYGATZ/image.jpg Worship - archive https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605417340254-3FFUMT2A4PSPF30J78OW/image.jpg Worship - archive https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605417509864-5Y4MP6UFH8PIBJEDT81X/image.jpg Worship - archive https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605989055696-CNP75JF1VOF3BKE6DXQF/Untitled+design+%285%29.png Worship - archive https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1605418114264-JORRRPZ6SGHLGEIIS48F/97479946007969ed9d482dce822e2f83.jpg Worship - archive - A Prayer for a Time of Pandemic O Almighty God, who in your wrath sent a plague upon your own people in the wilderness for their obstinate rebellion against Moses and Aaron; and also in the time of King David, sent a plague of pestilence which killed seventy thousand, but, remembering your mercy, spared the rest: Have pity upon us miserable sinners, who now are visited with great sickness and mortality; and in the same way that you then accepted an atonement and commanded the destroying Angel to cease from punishing: so it may now please you to withdraw from us this plague and grievous sickness, through Jesus Christ our Lord. https://www.racbellingham.org/office daily 0.75 2021-02-28 https://www.racbellingham.org/holyweek daily 0.75 2021-03-29 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1616853197500-MGJPTAX8RP3Z2X0ZRNXB/liturgical+color_+%2823%29.png Holy Week https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1616852801311-FPRRTC0E6WHASMS4299W/7212816720_e13d8efdbc_b.jpg Holy Week https://www.racbellingham.org/lit daily 0.75 2021-04-03 https://www.racbellingham.org/give daily 0.75 2021-04-16 https://www.racbellingham.org/hughes daily 0.75 2021-05-05 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1620165447426-GVBUFEA6X2X58X2O3ZJG/51RUz-yDSsL._SX341_BO1%2C204%2C203%2C200_.jpg hughes - Spring 2021 Theology Discussion PE Hughes, Theology of the English Reformers Normal Meeting Time / Place: 7pm at Nelson Patio (1239 Birch St) See document below to confirm, as location sometimes shifts due to weather, etc. Also listed there are the topics for the coming discussion. COVID protocols: Core group has been meeting unmasked as meetings are outdoors and all participants are vaccinated or recovered, however, we will gladly mask for a new member / visitor who is not vaccinated and/or not comfortable with this arrangement. Text Fr. Nathaniel and let him know 360.389.3861. Reading / Homework: Designated reading portions are generally about 10-20 pages per week, but thorough reading is not strictly required to participate effectively in the conversation. Glancing through the reading guide below may help to identify portions of the material that are especially interesting for a closer look. https://www.racbellingham.org/move daily 0.75 2021-09-03 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1630435371465-KQ18ZQ32FJ3JV0VFJU7F/PXL_20210830_202209052.jpg RAC Move Details - Make it stand out It’s a work in progress, but we’re excited about the new space, and the kinds of mission and ministry partnerships it will help us catalyze! https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1630270755894-K4GD1NAH6BKQGV5OCJX7/Screenshot+2021-08-29+134650.jpg RAC Move Details - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1630689749269-CAL25VIVP67Q3XROHY5Z/PXL_20210902_195634746.jpg RAC Move Details - Make it stand out Look for the signs! https://www.racbellingham.org/people daily 0.75 2025-04-16 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/f44e19d3-3fc4-44aa-8bdf-9a3c7d826591/IMG_5580.JPG Our People https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/1bd15fba-3070-4004-ad6b-f4cbe34f16eb/j0hH7CzYknmi4wngOCHogz0PrKnY1b32KtxQDCP5RVI.jfif Our People https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/19852fd3-6e9b-4243-973c-fbb8e1659d2f/fSMqhjK8O-sO-xJ4Y53v3AFmZXqYJHCaKUvYRGv3IJw.jfif Our People https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/37c33002-9ce2-4d6b-8737-590f69519182/20250319_120440.jpg Our People https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/40006a95-bf8e-48f2-b73b-44bed844e8e4/IMG_8136.jpg Our People https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/612acda3-604f-4899-a0db-4831f2a9eead/IMG_7098.jpg Our People https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/753222f1-ba3e-44bf-b165-3e9b0a8b4214/IMG_7233.JPEG Our People https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/40f88fc4-91dc-456c-871d-1b1777e6ae7d/20250413_092627.jpg Our People https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/cc5067ed-7e61-4869-b1df-bccb2b9c3f3a/20250413_092734.jpg Our People https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/a21a2857-1e9e-42d9-a62a-a1ee8dca13bb/20250413_092636.jpg Our People https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/21d539f4-1ab0-4fed-b3de-2df4bdc5e4c9/20250413_093144.jpg Our People https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/55033916-0092-467f-bbce-6b299f7412d1/20250413_120828.jpg Our People https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/ba8c7131-ad4a-4bcb-85db-1678bdc32d14/20250413_092539.jpg Our People https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/31192d19-edd4-4597-b309-564bc06b4f4c/20250413_092539.jpg Our People https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/379de0e9-098e-47a0-8dc1-1fea723f1ee4/20250413_092827.jpg Our People https://www.racbellingham.org/rac-faith daily 0.75 2025-04-10 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/57c7bd19-824f-4a93-8420-ec94b67b5229/IMG_5006.jpg https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/ac3668f9-9071-404e-9dd3-38bf7ed9b238/Attachment+%281%29.jpg https://www.racbellingham.org/calendar daily 0.75 2022-11-11 https://www.racbellingham.org/family-catechism daily 0.75 2022-12-01 https://www.racbellingham.org/retreat daily 0.75 2023-01-01 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/36914914-09fe-464c-9a9b-72abf845a39c/wonder_1669032371098+%281%29.jpg https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/4020056f-446d-41aa-bae2-db5cdae36fc1/wonder_1669086980746+%281%29.jpg https://www.racbellingham.org/kids-and-families daily 0.75 2025-04-10 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/2933ee17-34b5-4193-939a-e065ca84bf58/IMG_7249.JPEG https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/37b04b0c-133c-40ff-8a12-61777d047232/PXL_20210218_011909206.MP.jpg https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/78084e58-0391-4e69-9aa3-a5b6b16a8b23/PXL_20220415_005323714.MP.jpg Kids and Families https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/b7cfd41f-7bc9-4cc4-aeed-482fb989a166/PXL_20221210_224628215.MP.jpg Kids and Families https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/403036c5-3ce1-4f83-8fa6-0b9d9f15b96d/20250413_101248.jpg Kids and Families https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/6141fc54-6c19-4037-9db1-b1548cfb6fc1/IMG_7249+%281%29.JPEG Kids and Families https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/18b2a520-026c-434f-9af0-107e607fea70/IMG_7198.JPEG Kids and Families https://www.racbellingham.org/what-to-expect daily 0.75 2025-04-10 https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/04a9b4da-87b1-4ddb-a6a6-d3013fece482/PXL_20221211_174635258.jpg What to Expect https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/78875df4-5eb0-4a3e-b6a5-fdfd75125afb/IMG_6416.JPG What to Expect https://images.squarespace-cdn.com/content/v1/5fab5a1abea4d6648e2f144b/f3caa883-75d2-4fbc-8c6b-3bcfa8cb6315/IMG_4311.JPG What to Expect https://www.racbellingham.org/survey daily 0.75 2022-12-30 https://www.racbellingham.org/connect daily 0.75 2025-03-31 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